Effektgeräte » Desktop-FX & Pedale

Baron Samedi is a fuzz pedal with an angry, sometimes unpredictable sound character. Besides volume and gain controls, there are parameters for sharpening, filtering and / or thinning out distortion effects. Self-oscillation and producing weird noises is possible as well.

Chemical Burn is a harsh to vicious sounding Fuzz effect. The pedal was based on the Shin-ei / Companion Superfuzz FY-6, but is way more flexible. With silicone and germanium clipping, two types of distortion are available. In addition, octaving and decay can be influenced. An idiosyncratic tone control allows you to hollow out or flatten the mid-range frequencies.

The Godeater is a crown jewel amongst distortion effects. Thanks to its extreme compression and massive saturation, the pedal can be used at maximum gain without losing any punch in the low end. Therefore, the Godeater is the perfect companion for acoustic and synthetic basses as well as drums. Any other audio material can be perfectly destroyed as well, of course. Alterable clipping stages and a very musical EQ concept allow you to vary the pedal’s sound very nicely.

Full-blooded distortion – Pit Viper is a solid state overdrive for hard-boiled musicians. The pedal can generate clean, beefy signal boosts. However, its true strength lies in aggressively screaming distortion with a tangible character. – This is not an effects pedal for wimps!

Hand made, first-class ring modulator effect in a beautiful case. It features a low-noise pre-amplifier, an internal oscillator, an envelope follower and a LFO. A fancy unit with a great sound!

With the Acidbox III, there’s finally a stereo version of the infamous Polivoks filter. Completely analog signal paths and old, Russian ICs guarantee sound true to the original. A well-equipped LFO and an envelope follower allow musicians to create very lively results. Thanks to mutual controls for left and right channel, the variable input gain plus a multi-functional control port, this desktop unit is equally suitable for producers, live performers, DJs as well as guitarists. – Plug it in and start jamming!

Unique sound character – The Fusion Box is a fully analog delay, chorus and ensemble effects unit with tube overdrive and integrated low-pass filter. Thanks to BBD chips and a phase-shifted feedback path, the device is perfectly suited for generating metallic sound colorations and wide, very atmospheric stereo effects. The tube overdrive adds gentle saturation to beefy distortion. Handy control elements and a pedal input for bypassing the effect circuits with the user’s foot make the Fusion Box not only a great studio tool, but a top-class live machine as well.

12V AC power supply, suitable for Metasonix D-1000, KV-1000 and the TM-series effects.

1670mA, 20W.  Polarity: center positive, ring negative.  Cable with two-prong EU plug.

JoMoX´ T-Resonator is a very special stereo effect and filter unit, surprising over and over again, because it is making effects on the base of a new idea, resonant interconnections like in an neuronal network. It´s bigger brother the Resonator Neuronium made very clear that the last word has not been spoken yet. It´s a very experimental device which forces you to touch and play it. It might be a little confusing in the beginning but after having dealt with it a bit you can make super trippy and dubby sounds with it.

The Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. It features a pre-amp, a multimode filter and a LFO. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for finger-modulation of the reverb on whatever audio that's going through it. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back.

Spare spring tank for the Knas Ekdahl Moisturizer.

The F-2 is world's one and only effect pedal which is a pre-amp, a distortion and a wah-wah with vacuum tube technology. And it's not just a standard tube stage, in fact the whole signal path of the unit is tube-based, also the wah-filter! An unique device and typical for Metasonix very crass and brute. And it is also voltage controllable by what it works well with synthesizers as well.

A really beautiful - beautifully dirty effect box! Intensifies offers analog sample rate reduction, distortion, amplitude modulation of the internal clock and a Noise Synth on the side. Sounds like …signal destruction. But we find the term "signal texturing" more appropriate.

The Iotine Core 4 is a fully analog, voltage-controllable audio processor with three differently equipped and combinable channels. Two signal paths are equipped with a smooth sounding multi-mode filter, an extremely flexible saturator and a low-noise VCA. The difference: Each channel offers a unique combination of seven (!!!) saturation and distortion circuits. The third signal path features a multimode filter and a frequency divider / multiplier with distortion capabilities. Furthermore, there is a HAR envelope and an envelope follower. The modulators can not only influence the cutoff of one or more filters, but are also usable to create compressor and expander / gate effects.

Space Generator is the BAM's byname, a stereo reverb effect which is inspired by the digital reverb units of the late 70s / early 80s. It simlulates the algorithms, frequency spectra and artefacts of those units being responsible for their specific sound, yet being a modern device it offers MIDI control, seven algorithms, analog filters and memory - all that in a form factor of a small desktop effect.

A long time of silence settled over OTO and we're still reminiscing about their great Biscuit, but now they return with a smasher: a stunning 12Bit stereo delay which instantly amazed us! It sombines analog signal processing with AD/DA converters and RAM chips for the delay - just like 80ies delays with their special sound.
The features are plenty and very impressive: up to 3.2 seconds stereo delay, 4 delay types, filter both in the delay path and the feedback loop, Tap Tempo or MIDI synchronisation with sub-division, memory bank, total MIDI control of all parameters and three bypass types (!). This is going to be big.

The BOUM is an analog stereo processor, consisting of a „One-knob“ compressor, a multi-mode distortion circuit and a smooth low-pass filter. Its mission is to enrich audio material with warmth, thickness and, if desired, a lot of aggressiveness. Thanks to a nice and simple user interface this effect unit is very easy to use. It is built in a rugged steel enclosure like the other OTO devices and it feels heavy like the sound it’s putting out!

The 432k REV2 consists of a hybrid diode and transistor ladder filter, which is glued together with the unprocessed signal by a transistor overdrive, and then chased through an op amp fuzz. And at the end of the chain: A simple noise feedback circuit. And a big knob to adjust the often hefty output volume.

For hard-boiled musicians only! – The Electron Fuzz Custom CV, in short EFCCV, is a powerful, creatively usable effect pedal for synthesizers, drum-computers and modular systems. The unit dishes out fierce distortion, which can be shaped in an almost abstract way via chaotic tone controls and a feedback section. In addition to crisp fuzz effects, sound colorations similar to modulation effects or a bit crusher can be achieved. CV inputs not only allow you to rhythmically increase or decrease the amount of distortion, but also to create a multitude of surprising analog glitches.

Hyde is a dark sounding filter box with tons of distortion. Yet, the little box always delivers musical results. Hyde is composed of a distortion circuit, a resonant diode ladder filter, an overdrive and a saturation stage. For modulations, there is a LFO plus a total of five CV inputs. Hyde’s sound is simply gorgeous: Dark, mysterious and flattering at the same time.

Jekyll N Hide is a dual distortion and filter box with a very distinctive sound. The first audio channel appears to be rather clean and voluminous, thanks to a restrained drive circuit and a transistor-ladder-circuit. In the second channel, you'll find a more powerful distortion and a crisp diode-ladder filter. On top of that, both audio paths feature overdrive and germanium clipping stages as well as an LFO. All in all, Jekyll N Hyde has a beefy, wonderfully musical sound. – Even with high distortion levels. By combining both channels, you can create great stereo effects.

In need of an angry Fuzz effect? - Retro Mechanical Labs has just the thing for you! This FX pedal is based around a NOS Soviet capacitor. This give it a very authentic and unique character. It uses also two special wire wound thimble resistors in the the input and output paths. Thanks to old stock antique VU meters, it looks and feel very vintage but delivers a modern sound!

Two identical Sherman Filterbank 2 units in a flat 19" case that can be used for desktop-playing around flat on a table too. All in- and outputs are located at the front panel what makes you simply interconnecting both units and/or connecting the components with your other desktop instruments or whatever. As it is also in the single rackversion both LFOs have an Oscillator output here. With link in- and output switches the two separate filters can be connected to be controlled simultaneosly.

The Sherman Filterbank is a powerful analog filtering and distortion unit with a huge frequency range and a killing overdrive behavior. It's easy and FUN to use, live and in the studio processing every sound source, effect mixing, expanding modular systems, etc.

A classic, but smaller - The Sherman Filterbank is a powerful analog filtering and distortion unit with a huge frequency range and a killing overdrive behavior. It's easy and FUN to use, live and in the studio processing every sound source, effect mixing, expanding modular systems, etc.

The Vermona Filter Lancet is a compact yet vesatile analog multimode filter in desktop format. Unlike the MonoLancet not a Moog filter cascade is used here but the filter circuit known from Vermona´s M.A.R.S and DAF-1.

The Retroverb Lancetcombines a classic spring reverb with a Filter/VCA-combination and thus is not only a spring reverb but an analog multi-effect unit. With overdrive, filter, VCA, envelope and LFO not only the sound of the spring can be manipulated but you can also create various effects: auto-wah, tremolo, distortion, gater effect and of course reverb.

Filter pedal featuring four filter types as well as an analog compressor, dry/wet control for parallel compression/filtering, a sidechain input, a fast LFO and an envelope generator for envelope wah effects. An unusual highlight is the minijack patchbay which allows for connecting the Protostar and an expression pedal easily with a patchable synthesizer. Which means the target audience are not only guitarists.
Possible effects are e.g. envelope wah, phasing, ringmodulation imitation, sidechain ducking etc.

Medical examinations have proven that ultimative analog distortions case acoustic traumata!

The sound is being processed in WMD's Acoustic Trauma pedal by two different pre-amps, a parametric 3-band EQ and a noise gate. The unit gives the guitar player a wide palette of sound, from soft preamp overdrive to severe distortions.

Geiger Counter Pro consists of a preamplifier with distortion and tone control, bit crusher and wave shaping processors plus a brand-new low-pass filter. In contrast to the classic Geiger Counter, the resolution of the digital components was increased, the number of wavetables has been doubled and there is now a morph function. Furthermore, the Pro version features a preset system, MIDI, two CV / expression inputs and a wet / dry potentiometer. Just like with the small version, you can connect not only synthesizers and drum computers, but electric guitars as well.

The WMD Geiger Counter is a digital effect stompbox that bases on bit crushing, sample rate reduction and radical bending of audio signals and thus creates hundreds of amazing sounds.
A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

The WMD Geiger Counter is a digital effect stompbox that is based on bit crushing, sample rate reduction and radical bending of audio signals and thus creates hundreds of amazing sounds.

A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

The BASS mod is an inofficial modification made directly in the WMD factory. It covers the bass range of the Geiger Counter much better than the normal version.

The WMD Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. The majority of the controls were stripped off and the price lowered. This is for those players who want to dial in a tone quickly and save pedalboard space.

Compact parametric equalizer in stomp box format. It has three bands and a frequency range of 31Hz to 16kHz.