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The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in black with red LEDs.

The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in white enclosure and with blue LEDs.

The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in white enclosure and with white LEDs.

The Transistor Ladder Filter cartridge expands the Avalon Bassline with a low-pass circuit based on the designs of Moog's Minimoog. Its filter slope can be toggled between -12 dB and -24 dB per octave.

The 3CO module is a clone of the simple yet very unique oscillator of Roland´s world-famous TB-303.

Out of production

Drum module with the sound of the TR-808´s bass drum. Analogue clone of the original circuitry.

Out of production.

Acidlab 8SD is an Eurorack drum module featuring the circuitry of the good old TR-808 snare drum.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Unlike other compressor modules on the market this one is #1 stereo and #2 DSP-based. It can be used as a mono compressor, as stereo compressor or in a side chain mode. This module's code is known from some Audio Damage plug-ins like the Rough Rider, Kombinat Diva and more and is now available as hardware.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Not in production anymore

The first Fonitronik module is the Attenuverting Mixer. It is primarily a four-into-one mixer module for control voltages (and audio signals of course) but besides of that it has some sub-functions like attenuator, controlable inverter and generator of offset voltages.

The Future Retro XS offers charming, yet hefty sound with remarkable expressiveness. It is perfect for creating meaty basses, soft to aggressive leads and powerful drums. Thanks to its thought-through routing system, that incorporates audio signals as well as control voltages, the monophonic desktop synthesizer is also capable of creating a wide range of experimental audio effects. MIDI connectors plus Audio and CV jacks allow easy integration in any studio or live setup.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

Einfach und genial aber vor allem: es funktioniert! Wer als Keyboarder, Percussionist oder DJ  seine laufenden Sequenzer zu human variierendem Tempo oder auch einfach zum DJ-Beat synchronisieren will oder muss, ist mit dem 34oneII-Pedal gut beraten.

Nach einer kurzen Eingewöhnungszeit trifft man die eins und kann auch Temposchwankungen gekonnt abfangen oder aufholen, es werden immer die letzten fünf Taps zur Berechnung des laufenden Tempos benutzt. Wenn man länger als 1 Sekunde auf dem Taster steht, sendet das Pedal auf allen Kanälen einen Stop-Befehl und verbraucht ab sofort nichts mehr von dem Strom der Batterie. Die Lebensdauer des 9V Blocks liegt oberhalb von 50 Stunden.

With the Perc Pro, you can add an acoustic drummer to your setup. In contrast to the counterpart made of flesh and blood, this drum system always plays tight and never gets tired. In addition, Perc Pro doesn’t mind to play everyday items instead of kick, snare, cymbal and so forth. – Bottles, cans or sheets of metal. Lots of stuff works great as a percussion instrument. Simply connect your MIDI or CV / gate equipment and start experimenting. – A great novelty with enormous creative potential!

Entire synthesizer voice in one Eurorack module. Fat sound due to 2 VCOs and a really nice souding filter. Handbuilt in Germany.

Trautonium CV/Gate Controller for controlling analog Synths that have CV and gate outputs.