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The AL-22 is a MIDI-to-CopperLan interface, i.e. it allows you to use your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The AL-88 is a MIDI-to-CopperLan interface, i.e. it is used to integrate your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers. Up to 16 MIDI cables can be connected (8x MIDI-In and 8x MIDI-Out)

The AL-88c is a CopperLAN interface with eight MIDI In/Out pairs. You can use it as a 8x8 MIDI patchbay, either very flexible in combination with a computer or directly coupled to other CopperLAN devices (peer to peer).
The unit has the same functionality and features like it's big brother, the AL-88 but at a way lower price for the sake of some reductions.

The AleX from Alyseum is a MIDI-to-CopperLan interface for retrofitting your MIDI devices with a CopperLan connector. It is designed to integrate your MIDI gear into the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The MS-812 by Alyseum is an Eurorack module which creates the gateway between your CopperLan network and your Eurorack modular system.

The high number of CV and digital outputs gives you a very powerful MIDI-to-CV/Gate interface which can also carry clock outputs or can work as a MIDI-to-Sync24 converter. The module can be controlled by several computers in your network simultaneously.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

New Cycleboxes will be abvailable early May 2012!

The Cyclebox by Cylonix is a digital wavetable VCO. To be exact it is a dual oscillator with additional sub-oscillator and an extreme frequency range off 22 octaves (!). Besides that there are quadrature outputs, voltage controllable wavesahping and much more. Milions of sounds in one module!

This small expander module for the Cyclebox V2 by Cylonix is manufactured by Intellijel and gives you direct access to some hidden extra functions integrated in the Cyclebox V2. Eight switches allow you for activating different modes like the LFO mode or Mega-Mode-Spread etc.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

Sell-out! Only one .DIV in stock. Sales only as long as stock lasts.

Clock divider module that divides the frequency of a pulse signal by odd and even values from 1 to 8. It can be reset of course.

The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!

This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!