Archive

The AL-22 is a MIDI-to-CopperLan interface, i.e. it allows you to use your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The AL-88 is a MIDI-to-CopperLan interface, i.e. it is used to integrate your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers. Up to 16 MIDI cables can be connected (8x MIDI-In and 8x MIDI-Out)

The AL-88c is a CopperLAN interface with eight MIDI In/Out pairs. You can use it as a 8x8 MIDI patchbay, either very flexible in combination with a computer or directly coupled to other CopperLAN devices (peer to peer).
The unit has the same functionality and features like it's big brother, the AL-88 but at a way lower price for the sake of some reductions.

The AleX from Alyseum is a MIDI-to-CopperLan interface for retrofitting your MIDI devices with a CopperLan connector. It is designed to integrate your MIDI gear into the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The MS-812 by Alyseum is an Eurorack module which creates the gateway between your CopperLan network and your Eurorack modular system.

The high number of CV and digital outputs gives you a very powerful MIDI-to-CV/Gate interface which can also carry clock outputs or can work as a MIDI-to-Sync24 converter. The module can be controlled by several computers in your network simultaneously.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Discontinued

The V'Amp is a combined voltage-controlled amplifier (VCA) and ring modulator. While typical ring mod devices are designed specifically for frequency mixing, the V'Amp allows you to not only change the degree of the mixing and the level of the bleed through, but can also be used as a VCA at the same time. The mixing can be varied from VCA (carrier only), into ring mod, then out of ring mod into inverting VCA (inverted carrier).

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

Having been split up in three components the sync shifter is serving many conversion problems offering you better timings and grooves just in time while using midi and sync24/Din sync based hardware.

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Imagine MacBethundacute;s backend filter a classic subtractive analog synth just without the oscillator section. That menas it consists of an audio mixer, a low pass filter with four filter pole taps, two envelopes and a VCA. Bespite one IC the module is emitirely made with discrete components that guarantees for vintage sound.

At the moment any info on the availability of this module is more than difficult.

42 HP dual analogue oscillator module for Eurorack with integrated ringmodulation based on the AD633 chip. Cross modulation, lineare FM, PWM, everything´s on board. Lots of VCOs and plenty of knobs.

The Micromac-D is a small and powerful, fully analog standalone desktop synthesizer. It is the expanded version of the Eurorack module Micromac-R including the Kenton MIDI-Interface and some extra features. Unlike his competitors  it has three voltage controlled oscillators and a classic Moog lowpass filter, as a tiny desktop synth it could become indeed the bonsai-version of the M5 the huge MacBeth synthesizer!

Ken MacBeth's Micromac is a small and yet powerful, full analog standalone synthesizer voice module for your Eurorack modular system. Unlike his competitors it has three voltage controlled oscillators and a classic Moog lowpass filter. Never before it was more affordable to purchase a true MacBeth synthesizer! For those who don't have an Eurorack system: there is a desktop version with MIDI as well!

An other MacBeth Eurorack module from the X-Series is the dual Envelope Generator. Unlike the minimoogish envelope in the Backend Filter you now find separate controls for decay and release i.e this one´s a true ADSR type envelope. MacBeth added a VCA as an extra feature.

MacBeth´s dual State-Variable multimode filter Eurorack module, can be used as mono or stereo filters.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Just like a sampler that records audio signals, a CV recorder will record control voltage courses from LFOs, envelope generators, joysticks etc. and can play them back when triggered, can loop them or play in different directions.

Modcan´s CV recorder can record CVs on two channels and in addition clocks and triggers on a thrid channel. The maximal resolution is 44.1kHz which makes it possible to record audio, even in stereo. The memory is non-volatile so your recordings remail memorized after powering down your modular system.

Dual digital delay module with individual controls per channel, tap tempo buttons, three selectable time ranges and two operaion modes (with or without pitch shift when altering the delay time).

48kHz sample rate, 16Bit at the inputs and outputs and 32bit operation provide for clear and low-noise sound.

Modcan's digital version of the classic Bode frequency shifter design offers two independent units in one module. As the frequency shift is a mathematical function, why not calculating it with a DSP, also for the sake of stable VCOs and clean multiplication? Calibration will never be an issue and you don't need to match the two units again!

Digital, dual channel phase shifter module with 6, 12 or 24 stages per channel. You can use the module as two independent phaser units or as a stereo phaser. It's possible to control both the phase shift and feedback with voltages.