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This module contains four independent, voltage controlled processors for waveforms und CVs with eight functions in total like VCA, attenuator, offset, clipping and a non-adjustable rectifier with two outputs.

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Not in production anymore.

Logic module with two stages, a six-part user-configurable (via front panel buttons), cascaded Logic tree giving up to 4 x NAND, 2x NOR & 1x XOR - and the inverted versions of each of those (AND/OR/XNOR). That's up to a 4x Input, 12x Output Gate, Logic and rhytmic pattern generating analog mega-machine!

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Abstract Data´s first Eurorack module is the ADE-10 Reactive Shaper, a multifunctional module for processing audio and control signals by the help of three different circuits: wave shaping, wave folding and feedback.

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Multimode filter with a 12dB/octave slope and a discrete layout for a very nice vintage sound. An allpass output and a feedback are special features giving the filter it´s own flavor.

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Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

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RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

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Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

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Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

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This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

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Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

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Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

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Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

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The MMF-1 is one of Cwejman´s best developments. It is a very clean and precise multimode filter partly featuring new filter types like a dual bandpass mode with adjustable spacing of filter peaks and also other filter types.

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Module is not in production anymore

High-end stereo ring modulator with integrated phase shifted carrier oscillators. You can use it as a stereo device or as two mono ring modulators.

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Spare 19" rack ears for your Cwejman S1Mk2 synth. In case you painted, drilled or lost your original ones. Details

Simple drone machine with two analog oscillators, each with a different waveform and individual frequency control via a light resistor. Also the 12dB lowpass filter can be controlled by light intensity. Really nice is the wooden case and the sweet bag made of felt.

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The Leploop is somathing like an analog Groovebox containing a synth voice with flexible routing, a bizzare 16-step sequencer and a nasty, very unique bass drum. Hand made in Italy and very charming.

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Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

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All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

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OTO BISCUIT
BISCUIT is a stereo sound effect processor. Thanks to a subtle blend of 8-bit digital and analog processing, BISCUIT is able to create a wide range of sounds. It goes from 8-bit character and lo-fi digital artefacts to numeric distortions.
BISCUIT is very useful to add depth and texture to any kind of electronic sounds. It works best with synthesizers (digital or analog), bassline, drum machines, loops, samplers or computers, but you can use it with any other sources.
BISCUIT is basically an enhanced bit depth and sample-rate reducer, known as "bitcrusher", followed by an analog filter and a simple mixing section (dry/wet). It also offers other features like removing or inverting each of the 8 bits, changing the sample rate from 250Hz to 30kHz, or adding one of the four effects (waveshaper, delay, pitch shifter and step filter).
Biscuit is MIDI compatible.
You can save the whole BISCUIT settings (potentiometers and switches) in 16 presets. A SysEx dump function let you save and recall as many presets you want on your computer.

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Expansion module for the ProModular MIIIIX - it upgrades it by four send/returns with voltage controlled dry/wet-mix and bypass. The expander can be used as four additional mixer inputs as well.

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Four-channel voltage controlled mixer with saturation, voltage control of panorama and level. Furthermore with an individual output, mute- and solo-buttons per channel. An infinite number of MIIIIX modules can be chained.

At the moment we consider it to be the only alternative to Cwejman's MX-4S!

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As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

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The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

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Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

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A rather radical and unapologetic effect module than a filter. The DIRT has a tendency to distort things and generates sounds you'd rather expect from ring modulators or wave shapers.

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Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

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Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!

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This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

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Very nice and pretty compact low pass filter with two simultaneous slopes (-12dB and -24dB). It has voltage control of resonance and can be used as a sine wave oscillator at very high resonance settings.

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