Archive

This module contains four independent, voltage controlled processors for waveforms und CVs with eight functions in total like VCA, attenuator, offset, clipping and a non-adjustable rectifier with two outputs.

Not in production anymore.

Logic module with two stages, a six-part user-configurable (via front panel buttons), cascaded Logic tree giving up to 4 x NAND, 2x NOR & 1x XOR - and the inverted versions of each of those (AND/OR/XNOR). That's up to a 4x Input, 12x Output Gate, Logic and rhytmic pattern generating analog mega-machine!

Abstract Data´s first Eurorack module is the ADE-10 Reactive Shaper, a multifunctional module for processing audio and control signals by the help of three different circuits: wave shaping, wave folding and feedback.

Multimode filter with a 12dB/octave slope and a discrete layout for a very nice vintage sound. An allpass output and a feedback are special features giving the filter it´s own flavor.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Set of two wooden side panels for mounting two 140mm deep Erica Eurorack cases in a L-shaped manner.

A set of two 6U rack ears for the Eurorack cases of Erica Synths

Solid power supply for the Skiff by Erica Synths. It works with a proper toroidal transformer, bringing a little more weight on the scale but that shouldn't matter in the studio.

The biggest of the three external power supplies for Erica's Skiff provides 2.5A, which is enough current for two cases. It also has two power connectors - so if you plan to use two Skiffs sooner or later, go for this one to prevent having two supplies in the studio.

Spare wooden side panels for one Skiff by Erica Synths.

Great book about the secrets of modular synthesizers. It gives an overwiev anbout module types and how to use them, also including exotic stuff like wave multipliers and vocoders. Great tutorials e.g. on how to create electronic drum sounds with your modular. Suitable both for beginners and advanced users. Comes with an audio CD full of examples.
Unfortunately the book is available in German language only.

No longer available in beech!

Portable and foldable Eurorack case with three rows á 126 HP width and a depth of up to 90 mm! In this simple yet well-thought metal case with Beech wood sides all screws and folding mechanisims are hidden and there are slots for internal busboard cabling.
The UNO 126 contains the SILTA power supply solution with 3.75 Ampere, the SEI trunk line module and is supplied with a padded soft bag.

No longer available in beech wood

Portable and foldable Eurorack case with three rows á 84 HP width and a depth of up to 90 mm! In this simple yet well-thought metal case with Beech wood sides all screws and folding mechanisims are hidden and there are slots for internal busboard cabling. The case meets hand luggage requirements of most major airlines. High-precision Italian manufacturing.
The UNO 84 contains the SILTA power supply solution with 3.75 Ampere and is supplied with a padded soft bag.

Unfortunately the D-1000 is out of production.

The D-1000 Vacuum-Tube Drum Machine is the first drum machine made with vacuum tubes since the Wurlitzer Sideman of 1959. Even though it has only four drum sounds -- two tunable drums, a tunable hard "snare" drum, and a cymbal -- control voltage inputs give great flexibility.
Details

The module has been discontinued

Metasonix VCA / Tube distortion has a soft overdrive which is very atypical for a Metasonix product. That means the R51 adds a beautiful tube distortion sound to your incoming signal.

Vacuum tube multimode filter with a very characteristic wild sound, known from Metasonix. Cutoff and resonance can be voltage controlled.

Unique voltage controlled spring reverb module with a vacuum-tube input stage that can produce nice distortion.
The R-56 is a special limited-issue module.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

The braided Nazca patchcords combine flexibility with pleasant surface feel, having a nice arc retention due to their thickness.
The pack of eighteen contains each nine cables in 33cm and 60cm, with two colors per length.

Not in production aymore.

The ADSR module by Pittsburgh Modular is a classic envelope generator with four parameters: attack, decay, sustain and release.

The Pittsburgh Modular Analog Delay is an analog delay module designed around a pair of 4096 Bucket Brigade Delay Line (BBD) ICs to produce a distinct analog delay effect. The maximum delay time when shipped is set at 9/10ths of a second.

The Analog Replicator is a new module built from scratch, way better than the old "Analog Delay" module. With up to 8192 bucket-stages and two time ranges delays from 12ms to 2.6s are possible. Everything from short flangings over dense feedback to thrashy long delays is possible. Invertable feedback, voltage control of three parameters, bypass and a neat spillover function put the cherry on top.

not in production anymore

The Bender is not an alcoholized cleptomaniac bending robot but a dual voltage controlled LFO with crossmodulation, providing for crazy modulations.

Not in production aynmore.

Small, expandable and inexpensive housing for Eurorack modules, it has an integrated power solution (550mA) and offers 48HP module space.

The [Cell48] System 1 is Pittsburgh Modular´s perfect entry to analog modular synthesis: a really nice sounding analog synthesizer with MIDI.
In a nice compact box you find a selection of modules: a semimodular synthesizer voice, a mixer/multiples, a duophonic MIDI/CV interface and an audio outputs / headphone amp. the semi-modular structure and internal normalizations make it possible to use the system without a single patch cable - ideal for beginners!

Powerful 8Bit digital oscillator and signal proessor. The module consists of two oscillators (one master, one slave) and a wave shaper. Each VCO has 16 wave forms; you can blend between both VCOs. The mix output carries the mix of the two oscillators which is treated by the processor - both waves can be combined in 1 of 16 ways.

A pair of wooden side cheeks for beautifying either the Cell [48] or Cell [90] cases and at the same time to connect two of them for a two-row cabinet.

High quality dual linear VCA with mixing function.

Classic function generator, capable of many functions: AD-envelope, ASR envelope, AR envelope, LFO, slew limiter, gate delay and VC wave shaper.

The Filter by Pittsburgh Modular is a multimode filter with state variable topology which gives a smooth natural and warm sound. The filter doesn't have a sweet spot but sounds good over the whole frequency range. A special oscillator mode allows the filter to be used as an oscillator as well.

This sequencer for CVs and gates is inspired by retro computer games and is operated with a joystick with pushbutton function. Six "games", each an own type of seqeuncer from standard step sequencers to chaotic gate and CV generators, are integrated.
The module is entirely voltage controllable (yes, even the joystick movement can be replaced by CVs) and this allows for constant evolution of sequences.

Discontinued model.

As you can already guess by the name the GenXpander is an expansion module for Pittsburgh´s Generator module. It adds some waveshaping, individual outputs, enhanced internal FM and phase-inversion based timbral effects.

Input and output module for embedding audio signals from the modular system in your studio and vice versa, including adjustable levels, If you combine both sections you can use the module as an insert for effect units.

The Pittsburgh Modular LFO2 contains two independent low frequency oscillators. For a variety of modulation options two different modulators have been used.

The Lifeforms 2+2 Mixer is composed of four channels, which can be utilized as two small or one big summing tool. Alternatively, it is possible to employ individual signal paths as attenuators. The module is suitable for processing audio material as well as control voltages.

The Lifeforms ADSR is a four stage envelope generator. Attack, decay and release potentiometers can work in two time ranges. Results are emitted via a normal and an inverted output. At the end of the release phase, the module generates a trigger signal.

Dr. Jekyll and Mr. Hyde – The Binary Filter has two sides. In stable mode, the state variable circuit shines with gentle, comforting sound. High resonance values don’t lead to self-oscillation. By switching to the unstable mode, it is possible to change the module’s behavior drastically. Suddenly, the filter starts to distort and scream. Without an input signal, the circuit is usable as a sine oscillator in this mode of operation. The module features outputs for high-pass, band-pass and low-pass.

Pittsburgh’s Double Helix Oscillator is composed of two VCOs plus a sub oscillator, a contour section with mixer, wavefolder and low pass gate as well as a LFO and a noise generator. Furthermore, the module features a routing matrix with two voltage controlled VCAs. Its sound is voluminous and clearly analog.