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Do-it-yourself kit for the 4ms Atoner. It contains all parts, a face plate and the unpopulated circuit board. Although the english manual explains the buildup process quite well you should bring some knowledge in electrotechnics and soldering skills.

Blank PCB for building an Autonomous Bassline Generator. Components or a build description are not included, just the circuit board.

A do-it-yourself kit for the Noise Swash Eurorack module by 4ms. All parts as well as the unpopulated PCB and a face plate are supplied.
Although the english manual explains the buildup process quite well but you still should bring some knowledge in electronics and soldering skills.

One last unit in stock.

A versatile module used for distorting and bit crushing audio, generating polyrhythmic CV clocks, extracting lower harmonics from audio and pitch shifting/jumping (downwards)

One last unit in stock

The Noise Swash is a chaotic random noise-maker and CV generator, generating its own sounds or working as an audio processor. As a stand-alone device it generates unpredictable continuously morphing oscillations on the Audio Output jack, and random CV fluctuations out the dual-direction "Mood CV" jack.

The Pingable Envelope Generator as a DIY kit.

All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite well but you still should bring some knowledge in electronics and soldering  skills.

All those people willing to DIY can build a breakout module for the 4ms Shuffling Clock Multiplier by themselves. All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite good you should bring some knowledge in electrotechnics and soldering skills.

DIYers can build a 4ms Shuffling Clock Multiplier with this kit. All electronic components as well as the blank PCB and a faceplate are included. Although the english manual explains the buildup process quite good you should bring some knowledge in electrotechnics and soldering skills.

Power adaptor plug for connecting a Curetronic module to a synthesizers.com power distribution harness.

One last in stock. Will not be re-ordered.

Power adaptor plug for connecting a Dotcom module to a Curetronic power distribution board. Additional +5V needed by some modules is not supported.

Not in production anymore.

The bass drum voice circuitry from theTR-808 in an Eurorack module. Unlike the original you can tune the bassdrum; the attack generated by theTone control is somewhat stronger and in general the module has a slightly own sound.

The HP-01 is an useful audio output module with adjustable master output and headphone output. The three input socket make mixing a number of signals possible.

Keyboard version of the Leipzig-S synthesizer. The sound circuitry with 2 VCOs, one Moog filter, 2 ADSRs and a LFO remained unchanged but additionally there´s a 37-key keyboard with a LCD for editing keyboard parameters.

Affordable and simple basic VCO is 6HP width featuring the most inportant functions. It has CV inputs for frequency and pulse width, waveformwise we´ll find sawtooth and pulse.

Small, passive adaptor module containing two adapters from 3.5mm jack to 6.3mm (1/4") jack.

Not in production anymore.

The BD78 is an accurate replica of the CR78 bass drum sound. Due to its tune control and decay parameters TR808 style Toms and Congas can be produced, too. The BD78 can be tuned way low with long decays.

Not in production anymore.

Drum voice module with the circuitry of the TR-808 cowbell, with expanded parameters like e.g. two separate tune controls for both tone generators

Not in production anymore.

Drum module with the circuitry of the TR-808. Like the original you can control tune and level

Not in production anymore.

Drum voice with the CLAVES circutry from the Roland TR-808.

Analogue Solutions CV-to-MIDI converts two channels of CV and gate information into MIDI note commands.

The module generates 8 trigger signals at 8 jacks in dependancy ofthe value of an incoming voltage.

ATTENTION: the module needs an additional 5V operational voltage!

Eurorack version of the Analogue Solutions Oberkorn³ analog sequencer. If has three tracks of CVs ,two gate tracks and interesting binary step address fuctions. Besides this the module features a voltage controlled clock generator, reset buttons, a transpose input per CV row and also slide at row A and B. Pure sequencer power on 84HP width.

The Europa is a hardware steps sequencer with 16 steps. It can be used for programming melody and drum patterns and outputs besides MIDI analog triggers as well.

Not in production anymore.

Both the open and the closed HiHat sound of the TR808 come in this Eurorack drum voice module.

The Leipzig-S is the improved version of Analogue Solutions´ Leipzig synthesizer. Besides the flat housing which makes it possible to use the unit on a desk, Analogue Solutions added a handy eight-step analog sequencer which can of course be synchronised to MIDI.

Simple and narrow LFO module with two wave forms.

The VCO SUB features an analog VCO with a sub-oscillator section. All three sub-octaves generated by the sub-oscillator are derived from the oscillator´s frequency.

The MT9 is an advanced MIDI to triggering module. It allows triggering of a range of analogue devices; drum voice modules, envelope modules, analogue sequencers, analogue drum machines, and anything else with a gate, trigger or clock input.

The MX224 is a 2 input mixer, inverter and buffer. It can mix audio, control voltages and gates with multiple normal and inverted outputs. Ideal for buffered multiplying signals with no signal drop.

Simple yet very useful small module: a mixer with six unity gain inputs, one normal and one inverted sum output. You can use the module as an inverter, too.

The Oberkorn³ is the recent model of the Oberkorn sequencer series, now in a nice metal housing and many features like internal Clock generator, transpose inputs, MIDI and glide.

Not in production anymore.

Analogue Solutions´ drum sound module for the Eurorack. Reproduction of the circuitry of the TR-808 Rimshot.

Not in production anymore.

Discrete analog drum voice with the circuitry of Roland´s CR-78 snare drum with an additional tune parameter.

Not in production anymore.

Analogue Solutions SD88 is a faithful reproduction of Roland´s TR-808 snare drum with a few extras.

A nice module by Analogue Solutions is the SH-NZ which stands for Sample and Hold  and Noise. And that´s exactly what´s inside.

The SQ-8 is a one-track CV sequencer with 8 steps. As the SQ-8 is an independent sequencer you can run several of them, each with an other clock.

Analogue Solutions SY02 Multimode Filter/VCA A great module with a multimode filter and a VCA.

Monophonic analog synthesizer with the layout of a Oberheim SEM. The Telemark is the semi-modular version of the SEMblance by Analogue Solutions. the new version Telemark v2 now has a ring modulator and a sub oscillator (divder circuit).

Analogue Solutions Tereshkova synth is basically the same as the Vostok but it lacks the pin matrix patch panel and the VU meter.

Not in production anymore.

Analog Eurorack drum module with the circuitry of the Roland TR-808 TomToms wit additional noise parameter

The VCO-RING MOD combines an analog VCO and an independent ring modulator circuit

As a modular synthesizer with the 22x22 pin patch matrix and extraordinary features like 3VCOs, a 8 step sequencer and a joystick, the Vostok Deluxe is clearly a unique workstation. Vostok Deluxe features a bigger case, a spring reverb, sequencer with a step-repeat function, a third LFO and more sockets and attenuators.

The module VU01 is a classic VU meter for displaying input signal strength by a moving needle.

The Tinysizer by Anyware Instruments is probably one of the smallest modular syntheiszers in the world. It can be placed upright like a PC monitor with the integrated stand. 340 (!) patchpoints are integrated in the form of high-quality multipoint connectors which are patched by jump wires. 30 of those "micro patchcords" are included, further ones can be purchased in local electronic shops.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Room simulation in studio quality – EOS features two superbly sounding, flexibly editable reverb algorithms. Plate is perfectly suited for refining drum, percussion and effect sounds as well as the human voice. Superhall delivers subtle and cold to voluminous, softly wafting results. – An excellent choice for giving leads, pads or atmospheres that certain something. Using the freeze function, it is possible to generate huge, endless walls of reverb. In general, EOS can be characterized as a dense sounding effect with high resolution. It is on a par with far more expensive studio processors.

The Errorbox module uses three digital distortion techniques to mangle your signals: sample rate reduction, bit rate reduction and an unique Error effect. The results range from slight vintage digital flavour to total destruction