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The Tinysizer by Anyware Instruments is probably one of the smallest modular syntheiszers in the world. It can be placed upright like a PC monitor with the integrated stand. 340 (!) patchpoints are integrated in the form of high-quality multipoint connectors which are patched by jump wires. 30 of those "micro patchcords" are included, further ones can be purchased in local electronic shops.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Not in our portfolio anymore

The name already indicates it: the Analog Four by Elekron continas four independent monophonic synthesizers in one unit. Besides the entirely analog voice circuitry with two oscillators and two filters per synth and plenty of modulation possibilities the Analog Four has FX and also a step sequencer that can output CV/gate signals as well.

JoMoX M Brane11 Analog Membrane Modeling Percussion Synthesizer. This synth relies on two so-called analog T-bridge Oscillators to generate sound. These oscillators work in a way similar to a band pass filter close to self-resonance. When coupled, the behaviour of both oscillators is not unklike the behaviour of two drumskins influencing each other. With its interesting concept, the Jomox MBrane is definitely worth exploring. It is of special interest for users who like to experiment and whish to expand their percussive horizon. The MBrane is fully controllable per MIDI and all changes can be saved.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

Expansion module for the E350 Morphing terrarium by Synthesis Technology. It adds two functions that otherwise are only accessible via jupers on the backside of the E350 and has an attenuator in addition.

Out of production.

This module is a so-called OR-combiner i.e. a circuitry that mixes trigger and gate signals. The mutinator contains four, partially normalized channels with each two inputs that can be manually routed or muted. It works great in combination with drum modules and several trigger sources like sequencers etc.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

OTO BISCUIT
BISCUIT is a stereo sound effect processor. Thanks to a subtle blend of 8-bit digital and analog processing, BISCUIT is able to create a wide range of sounds. It goes from 8-bit character and lo-fi digital artefacts to numeric distortions.
BISCUIT is very useful to add depth and texture to any kind of electronic sounds. It works best with synthesizers (digital or analog), bassline, drum machines, loops, samplers or computers, but you can use it with any other sources.
BISCUIT is basically an enhanced bit depth and sample-rate reducer, known as "bitcrusher", followed by an analog filter and a simple mixing section (dry/wet). It also offers other features like removing or inverting each of the 8 bits, changing the sample rate from 250Hz to 30kHz, or adding one of the four effects (waveshaper, delay, pitch shifter and step filter).
Biscuit is MIDI compatible.
You can save the whole BISCUIT settings (potentiometers and switches) in 16 presets. A SysEx dump function let you save and recall as many presets you want on your computer.

As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

Sell-out! Only one .DIV in stock. Sales only as long as stock lasts.

Clock divider module that divides the frequency of a pulse signal by odd and even values from 1 to 8. It can be reset of course.

The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!

This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

This passive bus board's main feature are the noise filtering capacitors located at three locations of the board. They reduce noise and bleedthru between modules and provide for clean signals. 17 connectors for modules are more than competitors' busboards offer.

The 277M Eurorack module is a nice sounding dual tube VCA. The tubes provide additional harmonics from slight to brutal distortion and produce a nice compression in the low range. Amplitude and overdrive can be voltage controlled and set manually quite precisely.

Not in our product range anymore.

The 333M by Trogotronic is an Eurorack module that generates control voltages on three channels out of an audio signal inserted into the 333M. On one hand it is an Envelope Follower, on the other two nine-step event sequencers.

The M666 by US-american manufacturer Trogotronic truely is devilish module. It´s a synthesizer voice with twin VCOs but it´s a very experimental brutal one. It makes a lots of noise and distortion. External audio signals can be fed thru and destroyed by the module as well.

The Trogotronic M676 Fury is a compact tube synthesizer voice for the Eurorack system.