Archive

The R:OTA Filter cartridge expands the Avalon Bassline with a low-pass circuit based on the designs of classic keyboard synthesizers from Roland. Its filter slope can be toggled between -12 dB and -24 dB per octave.

We don't carry this product anymore.

Peruvian manufacturer Atomosynth´s new KRAKKEN synth is a very compact analog keyboard synthesizer with a floor space smaller than a vinyl record´s cover.The new version v1.2 now has a sturdy black metal case instead of the toxic green acrylic case.
With two VCOs, an aggressive lowpass/highpass filter and integrated glide the Krakken can generate classic monophonic leads, acid basslines and also crazy analog sounds.

We don't carry this product anymore.

Analog monophonic synthesizer with an eight-step analog sequencer that can be synchronized to MIDI. One VCO and a rough/dirty sound make the Mochika XL perfect for nasty basslines.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Der cvWS is a dualer wave shaper like the one found in the core of the uLFO. The upper unit creates a sawtooth out of sruare and triangle wave, the lower unit makes sine waves. Sounds boring? Then try to FM-modulate it for interesting effects!

This LFO packed with features bases on a "triangle core" VCO and thus is on a par with any full-fledged analog VCO because the 1V/oct input allows for using it as a normal VCO. The tracking ranges a few octaves which is far from bad. There are six different waveform outputs: ramp, pulse, sine, triangle, saw, square and sine shape. All this makes the uLFO one of the most versatile LFOs no the market.

Self-oscillating 2pole state variable filter, 12dB highpass, lowpass and notch, 6dB bandpass, extra control for notch balance

Bubblesound´s VCOb is a really good, rich sounding, stable yet compact fully analog VCO. It´s circuitry is based on the uLFO but with some improvements. It tracks well 4-6 octaves (depending on how picky you are) which is good.

Set of two wooden side panels for mounting two 140mm deep Erica Eurorack cases in a L-shaped manner.

A set of two 6U rack ears for the Eurorack cases of Erica Synths

Solid power supply for the Skiff by Erica Synths. It works with a proper toroidal transformer, bringing a little more weight on the scale but that shouldn't matter in the studio.

The biggest of the three external power supplies for Erica's Skiff provides 2.5A, which is enough current for two cases. It also has two power connectors - so if you plan to use two Skiffs sooner or later, go for this one to prevent having two supplies in the studio.

Spare wooden side panels for one Skiff by Erica Synths.

Unfortunately the D-1000 is out of production.

The D-1000 Vacuum-Tube Drum Machine is the first drum machine made with vacuum tubes since the Wurlitzer Sideman of 1959. Even though it has only four drum sounds -- two tunable drums, a tunable hard "snare" drum, and a cymbal -- control voltage inputs give great flexibility.
Details

The module has been discontinued

Metasonix VCA / Tube distortion has a soft overdrive which is very atypical for a Metasonix product. That means the R51 adds a beautiful tube distortion sound to your incoming signal.

Vacuum tube multimode filter with a very characteristic wild sound, known from Metasonix. Cutoff and resonance can be voltage controlled.

Unique voltage controlled spring reverb module with a vacuum-tube input stage that can produce nice distortion.
The R-56 is a special limited-issue module.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

The braided Nazca patchcords combine flexibility with pleasant surface feel, having a nice arc retention due to their thickness.
The pack of eighteen contains each nine cables in 33cm and 60cm, with two colors per length.

Not in production aymore.

The ADSR module by Pittsburgh Modular is a classic envelope generator with four parameters: attack, decay, sustain and release.

The Pittsburgh Modular Analog Delay is an analog delay module designed around a pair of 4096 Bucket Brigade Delay Line (BBD) ICs to produce a distinct analog delay effect. The maximum delay time when shipped is set at 9/10ths of a second.

The Analog Replicator is a new module built from scratch, way better than the old "Analog Delay" module. With up to 8192 bucket-stages and two time ranges delays from 12ms to 2.6s are possible. Everything from short flangings over dense feedback to thrashy long delays is possible. Invertable feedback, voltage control of three parameters, bypass and a neat spillover function put the cherry on top.