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Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

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The MMF-1 is one of Cwejman´s best developments. It is a very clean and precise multimode filter partly featuring new filter types like a dual bandpass mode with adjustable spacing of filter peaks and also other filter types.

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Expansion module for the E350 Morphing terrarium by Synthesis Technology. It adds two functions that otherwise are only accessible via jupers on the backside of the E350 and has an attenuator in addition.

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This passive bus board's main feature are the noise filtering capacitors located at three locations of the board. They reduce noise and bleedthru between modules and provide for clean signals. 17 connectors for modules are more than competitors' busboards offer.

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All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

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Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

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Expansion module for the ProModular MIIIIX - it upgrades it by four send/returns with voltage controlled dry/wet-mix and bypass. The expander can be used as four additional mixer inputs as well.

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Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!

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Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

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Module is not in production anymore

High-end stereo ring modulator with integrated phase shifted carrier oscillators. You can use it as a stereo device or as two mono ring modulators.

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The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

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This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

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This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

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Spare 19" rack ears for your Cwejman S1Mk2 synth. In case you painted, drilled or lost your original ones. Details

Out of production.

This module is a so-called OR-combiner i.e. a circuitry that mixes trigger and gate signals. The mutinator contains four, partially normalized channels with each two inputs that can be manually routed or muted. It works great in combination with drum modules and several trigger sources like sequencers etc.

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Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

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Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

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Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

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Four-channel voltage controlled mixer with saturation, voltage control of panorama and level. Furthermore with an individual output, mute- and solo-buttons per channel. An infinite number of MIIIIX modules can be chained.

At the moment we consider it to be the only alternative to Cwejman's MX-4S!

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Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

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