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Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

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This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

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Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

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Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

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Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

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The MMF-1 is one of Cwejman´s best developments. It is a very clean and precise multimode filter partly featuring new filter types like a dual bandpass mode with adjustable spacing of filter peaks and also other filter types.

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Module is not in production anymore

High-end stereo ring modulator with integrated phase shifted carrier oscillators. You can use it as a stereo device or as two mono ring modulators.

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Spare 19" rack ears for your Cwejman S1Mk2 synth. In case you painted, drilled or lost your original ones. Details

The Analog Memory is an expansion module for the Pressure Points. It adds five more rows of each four steps of CVs to the Pressure Point.

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The DIN Power is a simple and inexpensive solution for distributing power in an external case for eurorack modules.
It uses the power distribution systems of an already existing modular system and sends it to an external case. It is very suitable for building a flat controller case with modules like René, Pressure Points, joystick modules and other haptical controllers.

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The Format Jumbler is an adaptor module which converts between 3,5mm (1/8")jacks, 6.3mm (1/4") jacks and banana plugs. Additionally you can use the module as a multiples.

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Vactrol multimode filter, based on the core of the discoontinued QMMG. It masters a number of sounds, from resonant acid squelch to percussive lowpass-gate sounds like Buchla bongos you an create simultaneously.

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Entire modular system with nine modules from Make Noise. It integrates sound generators, lopass gates, effects, modulation generatros, a haptic controller and a sequencer.
The unique CV-Bus is designed for convenient distribution of CV signals and adds a pre-amp plus stereo output section.
The Shared System can be expanded by further modules as 48HP are non-occupied.

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The licensed Eurorack version of the programmable mini synthesizer Patchblocks allows the user to to program and to customize the module's behaviour via a intuitive software editor.
Some of the functions the module is capable of are VCO, clock divider, envelope and random generators, counter, shepard generator, sequencer, MIDI converter and many more. It is even possible to use it as a sample player (e.g. for drums) or as an effect.

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Digital replica of the legendary Mellotron, not as a VST-plugin but as a real hardware instrument with a keyboard!

Features and looks resemble the original. Three sounds are available at the same time and it is possible to blend between them with a control.

Pitch- Volume and tone-control plus the ominous "half speed" switch.

Loading sounds from internal CR-Rom drive or from  the card reader slot. Length of samples is limited to eight seconds of course.

Version with anthracite colored housing.

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The rackversion of the Memotron now offers the double amount of sounds available simultaneously. You can call the Memotron from Berlin-based manufacturer Manikin Electronics roughly a digital Mellotron. Unlike a VST instrument this is real hardware, so it is perfect for people who want to play Mellotron sounds on stage without the use of a PC or a sensitive original unit.
A comprehensive sample library with high-quality sounds of various Mellotrons from the 60ies and the 70ies lets revive the sound of bands like King Crimson, the Beatles, Procol Harum and other important artists of this era.

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It's now part of the Basic Collection.

The Studio collection is a sample library for the Manikin Memotron. It is destined for all those who want to use the classic sounds of the Mellotron but without annoying side-effects like grinding mechanics, worn out and noisy tapes. ll samples have been treated and cleaned and represent an "ideal" flawless Mellotron.

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sustain pedal

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The first module from the Medic Modules series is the DEFIBRILLATOR. It consists of thee individual circuits: two MS-20 filters and a VCA. Very individual is the operation by illuminated faders and the very unique bloody artwork. Sounds kind of sick and nasty.

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The EKG is a versatile analog sequencer module with a funky voltage controllable halftime function and not less than eight selectable functions per step (pause, skip, up to 4x repeat, reverse, reset).

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The s0 is two in one: first a 16Bit sample player with three loop modes and variable sample start and loop point parameters. It reads .wav files from an SD card. Number two is a granular synthesis-based looper with audio input, various loop and trigger modes and reset/PLL-synchronization up to audio ranges.

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Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

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All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

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Expansion module for the ProModular MIIIIX - it upgrades it by four send/returns with voltage controlled dry/wet-mix and bypass. The expander can be used as four additional mixer inputs as well.

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Four-channel voltage controlled mixer with saturation, voltage control of panorama and level. Furthermore with an individual output, mute- and solo-buttons per channel. An infinite number of MIIIIX modules can be chained.

At the moment we consider it to be the only alternative to Cwejman's MX-4S!

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Nebulæ is an audio sample player or granular oscillator in the Eurorack modular synthesizer format. It uses sound files as the source material for creating loops, melodies, granular clouds, drones, pads and otherworldy textures. It is also capable of acting as a classic keyboard style MIDI sampler/drum sequencer while in one-shot mode.

Version with silver front panel.

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The first Eurorack module by Snazzy FX is a dual Chaos Oscillator. Unlike normal VCOs it is not intended to produce tonal results but for creating chaotic, wild and unpredictable sounds, modulations and gates.

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As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

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The module is a four-fold combination of lowpass filters and/or VCAs. It's functions are extended by three different mix outputs.

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Austrian manufacturer Subtle Noise Maker´s new product is a true DRONE MACHINE for thick, beating sounds. With a total of six oscillators and a nice filter very dense endless sounds can be generated.

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Handmade electronic music synthesizer, effect pedal and noisebox for creating unique sounds and effects by intuitive handling.  Sound input for weird treatment of samples or whatever input (guitar, bass, radio...).
Also makes noise and distinctive sounds without input as standalone sonic device. Each of the six oscillators affect each other.

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Handmade electronic music synthesizer, effect pedal and noisebox for creating unique sounds and effects by intuitive handling. External Audio signals can beprocessed but the Cacophonator can be used as a standalone sonic generator. Six oscillators influencing each other take care of it.

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The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

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Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

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Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

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Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!

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This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

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