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Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Not in our portfolio anymore

The name already indicates it: the Analog Four by Elekron continas four independent monophonic synthesizers in one unit. Besides the entirely analog voice circuitry with two oscillators and two filters per synth and plenty of modulation possibilities the Analog Four has FX and also a step sequencer that can output CV/gate signals as well.

Turn your Erica Sequential Switch into a 8-step analog sequencer with this CV expander.
It combines CV generation with all the functionality of the Sequential Switch like mixing, pausing, random playback, skipping and manual selection of steps.

The ES-2 is a Eurorack module designed for use with software such as Expert Sleepers Silent Way. It takes as inputs CVs from your analogue synths/effects on 3.5mm jacks, and outputs audio signals on 1/4" jacks which you connect to your computer audio interface. You then use the Silent Way CV Input plug-in to interpret the audio signal and output CVs in your DAW for recording, processing etc.

Expert Sleepers´ new module ES-3 converts, in a similar manner as the ES-1, control signals from your DAW (e.g. from software like Volta or Silent Way) to control voltages for your modular system. Unlike the ES-1 it doesn´t use up your audio interface´s analog outputs but it uses the optical output (ADAT Lightpipe standard).

Just connect the ES-3 and the audio interface via an optical cable and output the CVs at the eight minijacks.

The ES-4 is another Expert Sleepers module for converting digital control data from your computer into control voltages. As usual the module is to be connected to your audio interface but in this case you use the S/PDIF socket integrated in almost each laptop computer (and every Mac).

Due to technical restrictions the ES-4 will work only with the Silent Way software (see below).

The ESX-8GT is an gate expander module for Expert Sleepers´ ES-4 to offer eight digital outputs for use as gates, triggers, clocks etc. The Mk1 version is active and can generate gate signals with +12V level.

One last ESX-8GT Mk1 in stock (As of March 11th, 2014)

The Kenton Midi Stream allows for easy-to-use transmitting any MIDI data via radio

The system consists of a compact transmitter of the size of a cigarette box and a receiver which can be rackmounted. Thus it´s perfectly suited to use a portable keyboard without cables live on stage.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

Sherman preist dieses außergewöhnliche Analogfilter primär bei DJs an, sicher werden hier auch zahlreiche Produzenten und Liveacts fündig: Die Eingangsstufe bringt das eingehende Signal gut auf Pegel und lässt auch heftigste Distortion zu! Der Effekt lässt sich mit dem Mix-Regler weich einblenden oder mit dem großzügigen Transform-Taster abrupt einschalten. Jedes Frequenzband (LP, BP, HP) lässt sich anteilig zum Originalsignal zumischen und mit positiver wie auch negativer Amplitudenmodulation einstellen. Zudem kann die Flankensteilheit jedes Bandes zwischen 12 und 24 dB umgeschaltet werden. Der Mastercutoff (blau) arbeitet mit den drei AM Reglern zusammen, wobei der Slavecutoff (grün) mit dem FM-Regler am besten funktioniert. Unterhalb jeden Bandes finden sich je 2 LEDs. Je nach angezeigter Farbe (blau oder grün) wirkt der Master- oder Slavecutoff am effektivsten! Die drei weißen Potis beeinflussen das Groove-Verhältnis des Filters. Auf diese Weise kann man mal eben den kompletten Groove in-sync mit dem Restyler zerfräsen und es macht grossen Spass. -Der Klang ist schön warm und fett und bietet in seinem Dynamikumfang ein ungeahntes Spektrum. Man darf gespannt sein, wie viele Clubanlagen unter der Herrschaft des RESTYLERS demnächst ihr Ende finden werden…

As a clone of the open source project CV PAL by Mutable Instruments the Midi 2 CV is in first line fast as lightning, at least with certain computer operating systems. It offers various modes of operation, a range of four octaves and a resolution of less than 2 mV. It connects and is supplied with power via USB only.

Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.

The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds.
The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.

Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.

The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 5089 has a Moog low pass filter.

The two voice variation of the Code by Studio Electronics is an affordable entry into the world of polyphonic analog sounds. It can be extended with more filtercards later and can also be upgraded with more voices up to an eight voice version.

The two voices will generate huge basslines, leads and massive unisono sounds.

The sixvoice variant of the Code brings you definitely more possibilities than the fourvoice unit but is way cheaper that the bigger full-blown brother with eight voices thus it is a good compromise. Of course also the Code6 can be upgraded with additional filter boards and if you want full polyphony you can add more voices as well.

The Code is the flagship of studio electronics, an established american manufacturer of analogue synths. This model can also be extended by up to 16 Filters of your choice (Yamaha CS80, APR 2600, TB 303 filters ). As you can see on the picture it is real hardware for real analogue sounds. Please ask for current availability and the price again per mail if youre interested, thank you.

Upgrade for the se code to include the overdrive option.

To celebrate the 3000th SE1x produced, Studio Electronics introduces a new limited version: the SE1x NOVA (aka. ?Angel Dust?). Beyond the trendy white-beige finish and the pretty vintage knobs there are also some technical improvments! The second VCO offers a sine wave instead of triangle. A FUZZ-distortion for a huge saturation is also on board. The SE1x NOVA prides itself with even faster envelopes and an expanded filter frequency range.  With the new ?Custom Scroggins Techno Sound Bank? the Angel Dust features a total of 495 preset sounds! More than enough reasons to have a closer look at this californian bass monster!

A voice board for the Studio Electronics Code to expand the unit with one more voice. The Code can be expanded to a maximum of eight voices.

The E340 simultaneously generates eight digital oscillators that can be detuned in relation to each other. The result ranges from soft beatings over supersaw-ish rave pads to organ-like sounds.

Unique wavetable VCO with 2 independent waveform outputs. What sets the E350 apart from previous wavetable oscillators is the voltage-controlled two-dimensional morphing. Sound is really good and clear.

Just like his small brother, the Echo, also the DLY is built around the same semi-digital bucket-brigade IC (PT2399) and thus has a similar character. But it has been improved in a few points, is more useful as a delay and has a dry/wet function now.
Doesn't cost much, sounds metalllic and really good, unless you reach the IC's extreme ranges where interesting artifacts happen. :)

Compact, voltage controlled and affordable effect module for creating echos, delays and reverbs. A must for your system, especially regarding the price!