Archive

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

We have one very last unit in stock - and they won´t come again!

Sounds really nice and fuzzy from soft to hard. A bit dry and in a postive way amputated - kills the overtones a little bit and makes the distortion sounding more round - a solid little box in a pure metal case and a nice sticker on it - a beauty on its own

Runs on a 9v battery, 1/4" in and output.

You can expect the first synthesizer from Knas to be different and that is what it is: not your typical clean synth. The subrtactive architecture may look very familiar but the 2 VCOs (one is a subharmonic oscillator), the filter and the envelope have a certein twist. The synth has a duophonic ribbon controller, a semi-modular layout, a quantizer, pre-amp, a MIDI/CV interface and even USB.

The Analog Memory is an expansion module for the Pressure Points. It adds five more rows of each four steps of CVs to the Pressure Point.

The DIN Power is a simple and inexpensive solution for distributing power in an external case for eurorack modules.
It uses the power distribution systems of an already existing modular system and sends it to an external case. It is very suitable for building a flat controller case with modules like René, Pressure Points, joystick modules and other haptical controllers.

The Format Jumbler is an adaptor module which converts between 3,5mm (1/8")jacks, 6.3mm (1/4") jacks and banana plugs. Additionally you can use the module as a multiples.

Vactrol multimode filter, based on the core of the discoontinued QMMG. It masters a number of sounds, from resonant acid squelch to percussive lowpass-gate sounds like Buchla bongos you an create simultaneously.

Entire modular system with nine modules from Make Noise. It integrates sound generators, lopass gates, effects, modulation generatros, a haptic controller and a sequencer.
The unique CV-Bus is designed for convenient distribution of CV signals and adds a pre-amp plus stereo output section.
The Shared System can be expanded by further modules as 48HP are non-occupied.

Digital replica of the legendary Mellotron, not as a VST-plugin but as a real hardware instrument with a keyboard!

Features and looks resemble the original. Three sounds are available at the same time and it is possible to blend between them with a control.

Pitch- Volume and tone-control plus the ominous "half speed" switch.

Loading sounds from internal CR-Rom drive or from  the card reader slot. Length of samples is limited to eight seconds of course.

Version with anthracite colored housing.

The rackversion of the Memotron now offers the double amount of sounds available simultaneously. You can call the Memotron from Berlin-based manufacturer Manikin Electronics roughly a digital Mellotron. Unlike a VST instrument this is real hardware, so it is perfect for people who want to play Mellotron sounds on stage without the use of a PC or a sensitive original unit.
A comprehensive sample library with high-quality sounds of various Mellotrons from the 60ies and the 70ies lets revive the sound of bands like King Crimson, the Beatles, Procol Harum and other important artists of this era.

It's now part of the Basic Collection.

The Studio collection is a sample library for the Manikin Memotron. It is destined for all those who want to use the classic sounds of the Mellotron but without annoying side-effects like grinding mechanics, worn out and noisy tapes. ll samples have been treated and cleaned and represent an "ideal" flawless Mellotron.

sustain pedal

Inspired by VIznut's "Algorithmic symphonies from one line of code" and the BitWiz Audio Synth, the Equation Composer creates a wide range of gritty, 8-bit sounding melodies, waveforms, and noise. The module is organized into CV selectable "programs", where each program can act like a unique synthesizer.
Digital wavetable VCOs, chord generators, pattern generators, drum voices are included but you can load other programs into the module as well!

The p0 is a world class drum generator, which uses physical modeling to create sound. Specialties of the circuit are metallic instruments like hi-hats or cymbals. However, it is also possible to create bongos, toms and even kicks. Besides that, thanks to a clever parameter selection, the module can generate lots of extraordinary, partly psychedelic sounds. Control voltage inputs allow musicians to compose interesting rhythms with just one p0.

The s0 is two in one: first a 16Bit sample player with three loop modes and variable sample start and loop point parameters. It reads .wav files from an SD card. Number two is a granular synthesis-based looper with audio input, various loop and trigger modes and reset/PLL-synchronization up to audio ranges.

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

The Braids is a digital macro-oscillator. It´s sound engine outclasses any VCO by far because the sounds are very complex and only two controls are used to affect several timbre parameters simultaneously. Braids is capable of different synthesis forms like FM, wavetable, vocal sound creation, analog emulation, noise, digital synthesis and even physical modeling. And it sounds awesome!

Quad generator for chiptune sounds. Each channel offers CV control of frequency, a FM CV-input and a gate input (note on /off). Additionally there are modulation options, a quantizer and a sequencer.

Two channel general purpose module for processing trigger signals. In simple words: inject a trigger or a gate and create envelopes, synchronized LFOs, a tap-tempo LFO or deum sounds. Three modes allow for different use of the controls.
In a not-so-secret mode you can use four alternative functions.

Nebulæ is an audio sample player or granular oscillator in the Eurorack modular synthesizer format. It uses sound files as the source material for creating loops, melodies, granular clouds, drones, pads and otherworldy textures. It is also capable of acting as a classic keyboard style MIDI sampler/drum sequencer while in one-shot mode.

Version with silver front panel.

The module is a four-fold combination of lowpass filters and/or VCAs. It's functions are extended by three different mix outputs.

Austrian manufacturer Subtle Noise Maker´s new product is a true DRONE MACHINE for thick, beating sounds. With a total of six oscillators and a nice filter very dense endless sounds can be generated.

Handmade electronic music synthesizer, effect pedal and noisebox for creating unique sounds and effects by intuitive handling.  Sound input for weird treatment of samples or whatever input (guitar, bass, radio...).
Also makes noise and distinctive sounds without input as standalone sonic device. Each of the six oscillators affect each other.

Handmade electronic music synthesizer, effect pedal and noisebox for creating unique sounds and effects by intuitive handling. External Audio signals can beprocessed but the Cacophonator can be used as a standalone sonic generator. Six oscillators influencing each other take care of it.

Variac is a distortion with variable headroom and adjustable timbre. This circuit board is a voltage controllable Colour CV for the "Colour Palette" Eurorack module by Black Market Modular.

Der SuperFatman ist eine Envelope Filter-Tretmine mit intuitiven Regelmöglichkeiten und einem vielfach schaltbaren Frequenzbereich.

Ein Envelope Filter ist im Grunde ein Tiefpassfilter, dessen Cutoffrequenz von der Lautstärke des eingehenden Signals moduliert wird. Je lauter das Audiomaterial am Eingang, desto weiter öffnet sich das Filter. Dies erlaubt z.B. schmatzende Basslines und weitere dynamische Effekte. Der Super Fatman bietet aber mehrere Filtertypen, diverse zusätzliche Modulationsmöglichkeiten und etliche Parameter.

Expansion module for the WMD Micro Hadron Collider filter. It extends the filter by additional audio inputs and individual outputs for the different filter types.