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This digital module is specialized in one effect only: thick, juicy and fantastic chorus, thanks to automatic routing ieven in true stereo. It offers internal modulation, feedback and has two different chorus modes whose slightly different sound you might already know from the Audio Damage plug-ins Fluid and Dimensions.
The module's DSP works with proper 24Bit and 48kHz and also the mechanical quality is rock-solid.

Out of production.

This module is a so-called OR-combiner i.e. a circuitry that mixes trigger and gate signals. The mutinator contains four, partially normalized channels with each two inputs that can be manually routed or muted. It works great in combination with drum modules and several trigger sources like sequencers etc.

The Micromac-D is a small and powerful, fully analog standalone desktop synthesizer. It is the expanded version of the Eurorack module Micromac-R including the Kenton MIDI-Interface and some extra features. Unlike his competitors  it has three voltage controlled oscillators and a classic Moog lowpass filter, as a tiny desktop synth it could become indeed the bonsai-version of the M5 the huge MacBeth synthesizer!

Digital oscillator with a huge frequency range and the possibility to read your own waveforms in .wav format from a SD card in addition to the internal wave forms. Ultra-stable tracking due to it's digital core make it perfect for FM sounds. Phase and symmetry of the waveforms can be voltage controlled.

Although the Proton makes for a pretty nice delay its main focus of attention is a type of physical modeling called Karplus-Strong synthesis. It creates percussive sounds which resemple a plucked nylon strong but Proton is able to twist them in a strong way by filtering and by adding noise impulses.

An other MacBeth Eurorack module from the X-Series is the dual Envelope Generator. Unlike the minimoogish envelope in the Backend Filter you now find separate controls for decay and release i.e this one´s a true ADSR type envelope. MacBeth added a VCA as an extra feature.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Expansion module for the E350 Morphing terrarium by Synthesis Technology. It adds two functions that otherwise are only accessible via jupers on the backside of the E350 and has an attenuator in addition.

Ken MacBeth's Micromac is a small and yet powerful, full analog standalone synthesizer voice module for your Eurorack modular system. Unlike his competitors it has three voltage controlled oscillators and a classic Moog lowpass filter. Never before it was more affordable to purchase a true MacBeth synthesizer! For those who don't have an Eurorack system: there is a desktop version with MIDI as well!

All modules from Mungo's Zero series offer a Zoom function to operate all potentiometers (parameter controls and attenuators) with coarse, normal or fine resolution. This is especially super useful for oscillator frequencies and delay times. The Zoom module enables this function.

Boomtschak - one of the most powerful entirely analog drum voices in Eurorack. As sound sources it uses an oscillator with waveshaper, a filtered noise or the mix of both. Not less than three flexible envelope generators are included, for pitch bending and the amplifiers. The resonant multi-mode filter can be fed with external audio signals instead the noise generator. The module's frequency range is huge, thus allowing for using it as a synthesizer voice.

MacBeth´s dual State-Variable multimode filter Eurorack module, can be used as mono or stereo filters.

Besides true stereo wave shaping the digital Shapes module offers the possiblity to scan one of 16 interpolated wavetables using audio and CV inputs. To do this you can induct any input signal, from a sine oscillator to an entire stereo sum, whereupon the grade of erosion or destruction rises with the complexity of the audio material.

Imagine MacBethundacute;s backend filter a classic subtractive analog synth just without the oscillator section. That menas it consists of an audio mixer, a low pass filter with four filter pole taps, two envelopes and a VCA. Bespite one IC the module is emitirely made with discrete components that guarantees for vintage sound.