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This module contains four independent, voltage controlled processors for waveforms und CVs with eight functions in total like VCA, attenuator, offset, clipping and a non-adjustable rectifier with two outputs.

Not in production anymore.

Logic module with two stages, a six-part user-configurable (via front panel buttons), cascaded Logic tree giving up to 4 x NAND, 2x NOR & 1x XOR - and the inverted versions of each of those (AND/OR/XNOR). That's up to a 4x Input, 12x Output Gate, Logic and rhytmic pattern generating analog mega-machine!

Abstract Data´s first Eurorack module is the ADE-10 Reactive Shaper, a multifunctional module for processing audio and control signals by the help of three different circuits: wave shaping, wave folding and feedback.

Multimode filter with a 12dB/octave slope and a discrete layout for a very nice vintage sound. An allpass output and a feedback are special features giving the filter it´s own flavor.

The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in black with red LEDs.

The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in white enclosure and with blue LEDs.

The praised Avalon not only tries to be an exact-as-possible 303 clone, also it expands the possiblities and amount of features of the bassline in almost every respect. From the sub-oscillator and external input, the enhanced cutoff range, the amount of envelopes, variable slide time, over an arpeggiator, enhanced sequencer up to a plethora of connections and the rock-solid build quality. You can use it like a real 303 but why restricting yourself?

Standard version in white enclosure and with white LEDs.

The Transistor Ladder Filter cartridge expands the Avalon Bassline with a low-pass circuit based on the designs of Moog's Minimoog. Its filter slope can be toggled between -12 dB and -24 dB per octave.

The 3CO module is a clone of the simple yet very unique oscillator of Roland´s world-famous TB-303.

Out of production

Drum module with the sound of the TR-808´s bass drum. Analogue clone of the original circuitry.

Out of production.

Acidlab 8SD is an Eurorack drum module featuring the circuitry of the good old TR-808 snare drum.

Power adaptor plug for connecting a Curetronic module to a synthesizers.com power distribution harness.

One last in stock. Will not be re-ordered.

Power adaptor plug for connecting a Dotcom module to a Curetronic power distribution board. Additional +5V needed by some modules is not supported.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

Having been split up in three components the sync shifter is serving many conversion problems offering you better timings and grooves just in time while using midi and sync24/Din sync based hardware.

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

Imagine MacBethundacute;s backend filter a classic subtractive analog synth just without the oscillator section. That menas it consists of an audio mixer, a low pass filter with four filter pole taps, two envelopes and a VCA. Bespite one IC the module is emitirely made with discrete components that guarantees for vintage sound.

At the moment any info on the availability of this module is more than difficult.

42 HP dual analogue oscillator module for Eurorack with integrated ringmodulation based on the AD633 chip. Cross modulation, lineare FM, PWM, everything´s on board. Lots of VCOs and plenty of knobs.

The Micromac-D is a small and powerful, fully analog standalone desktop synthesizer. It is the expanded version of the Eurorack module Micromac-R including the Kenton MIDI-Interface and some extra features. Unlike his competitors  it has three voltage controlled oscillators and a classic Moog lowpass filter, as a tiny desktop synth it could become indeed the bonsai-version of the M5 the huge MacBeth synthesizer!

Ken MacBeth's Micromac is a small and yet powerful, full analog standalone synthesizer voice module for your Eurorack modular system. Unlike his competitors it has three voltage controlled oscillators and a classic Moog lowpass filter. Never before it was more affordable to purchase a true MacBeth synthesizer! For those who don't have an Eurorack system: there is a desktop version with MIDI as well!

An other MacBeth Eurorack module from the X-Series is the dual Envelope Generator. Unlike the minimoogish envelope in the Backend Filter you now find separate controls for decay and release i.e this one´s a true ADSR type envelope. MacBeth added a VCA as an extra feature.

MacBeth´s dual State-Variable multimode filter Eurorack module, can be used as mono or stereo filters.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Contrary to it's name the ROOM is no reverb effect but an enitrely analog audio processor to shape and dynamically modulate the sound and spatial field of a connected stereo reverb by the dynamics of the mono audio source. For modulation duties the ROOM has an envelope follower and an envelope generator that can react to the audio material or to external CV and gate signals.

The TRACK THICKENER is an all analog stereo processor used to drive a stereo or mono source though one of five analog circuits. These SAT circuits transform the density of the sound for the purpose of creative manipulation of its texture and intensity. The SAT section includes wet/dry mix with the ability to saturate all or only the upper or lower frequencies while retaining an unaffected low or high end by utilizing the built in crossover. With flexible crossover routing a frequency dependant saturation is achieved giving the user control over the density, volume, and frequency of the saturated element of the sound. This routing allows a wide range of saturation to be achieved, with the ability to bypass entirely. The SAT section is followed by a VCA used to shape the amplitude envelope of the sound. The VCA features an H-AR envelope with control over depth, trigger hold, attack, and release. Alternative gating is possible with the use of the external trigger input. The VCA can be used to affect the SAT or SATandDRY signals for different mixing options. A passive equalizer follows that allows tone shaping with the smooth characteristics of a passive circuit. The EQ gives the user quick tone shaping over broad bands for effective shaping of the final sound.