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The R:OTA Filter cartridge expands the Avalon Bassline with a low-pass circuit based on the designs of classic keyboard synthesizers from Roland. Its filter slope can be toggled between -12 dB and -24 dB per octave.

The AL-22 is a MIDI-to-CopperLan interface, i.e. it allows you to use your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The AL-88 is a MIDI-to-CopperLan interface, i.e. it is used to integrate your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers. Up to 16 MIDI cables can be connected (8x MIDI-In and 8x MIDI-Out)

The AL-88c is a CopperLAN interface with eight MIDI In/Out pairs. You can use it as a 8x8 MIDI patchbay, either very flexible in combination with a computer or directly coupled to other CopperLAN devices (peer to peer).
The unit has the same functionality and features like it's big brother, the AL-88 but at a way lower price for the sake of some reductions.

The AleX from Alyseum is a MIDI-to-CopperLan interface for retrofitting your MIDI devices with a CopperLan connector. It is designed to integrate your MIDI gear into the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The MS-812 by Alyseum is an Eurorack module which creates the gateway between your CopperLan network and your Eurorack modular system.

The high number of CV and digital outputs gives you a very powerful MIDI-to-CV/Gate interface which can also carry clock outputs or can work as a MIDI-to-Sync24 converter. The module can be controlled by several computers in your network simultaneously.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

We don't carry this product anymore.

Peruvian manufacturer Atomosynth´s new KRAKKEN synth is a very compact analog keyboard synthesizer with a floor space smaller than a vinyl record´s cover.The new version v1.2 now has a sturdy black metal case instead of the toxic green acrylic case.
With two VCOs, an aggressive lowpass/highpass filter and integrated glide the Krakken can generate classic monophonic leads, acid basslines and also crazy analog sounds.

We don't carry this product anymore.

Analog monophonic synthesizer with an eight-step analog sequencer that can be synchronized to MIDI. One VCO and a rough/dirty sound make the Mochika XL perfect for nasty basslines.

Der cvWS is a dualer wave shaper like the one found in the core of the uLFO. The upper unit creates a sawtooth out of sruare and triangle wave, the lower unit makes sine waves. Sounds boring? Then try to FM-modulate it for interesting effects!

This LFO packed with features bases on a "triangle core" VCO and thus is on a par with any full-fledged analog VCO because the 1V/oct input allows for using it as a normal VCO. The tracking ranges a few octaves which is far from bad. There are six different waveform outputs: ramp, pulse, sine, triangle, saw, square and sine shape. All this makes the uLFO one of the most versatile LFOs no the market.

Self-oscillating 2pole state variable filter, 12dB highpass, lowpass and notch, 6dB bandpass, extra control for notch balance

Bubblesound´s VCOb is a really good, rich sounding, stable yet compact fully analog VCO. It´s circuitry is based on the uLFO but with some improvements. It tracks well 4-6 octaves (depending on how picky you are) which is good.

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

Having been split up in three components the sync shifter is serving many conversion problems offering you better timings and grooves just in time while using midi and sync24/Din sync based hardware.

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

Simple drone machine with two analog oscillators, each with a different waveform and individual frequency control via a light resistor. Also the 12dB lowpass filter can be controlled by light intensity. Really nice is the wooden case and the sweet bag made of felt.

The Leploop is somathing like an analog Groovebox containing a synth voice with flexible routing, a bizzare 16-step sequencer and a nasty, very unique bass drum. Hand made in Italy and very charming.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Sherman preist dieses außergewöhnliche Analogfilter primär bei DJs an, sicher werden hier auch zahlreiche Produzenten und Liveacts fündig: Die Eingangsstufe bringt das eingehende Signal gut auf Pegel und lässt auch heftigste Distortion zu! Der Effekt lässt sich mit dem Mix-Regler weich einblenden oder mit dem großzügigen Transform-Taster abrupt einschalten. Jedes Frequenzband (LP, BP, HP) lässt sich anteilig zum Originalsignal zumischen und mit positiver wie auch negativer Amplitudenmodulation einstellen. Zudem kann die Flankensteilheit jedes Bandes zwischen 12 und 24 dB umgeschaltet werden. Der Mastercutoff (blau) arbeitet mit den drei AM Reglern zusammen, wobei der Slavecutoff (grün) mit dem FM-Regler am besten funktioniert. Unterhalb jeden Bandes finden sich je 2 LEDs. Je nach angezeigter Farbe (blau oder grün) wirkt der Master- oder Slavecutoff am effektivsten! Die drei weißen Potis beeinflussen das Groove-Verhältnis des Filters. Auf diese Weise kann man mal eben den kompletten Groove in-sync mit dem Restyler zerfräsen und es macht grossen Spass. -Der Klang ist schön warm und fett und bietet in seinem Dynamikumfang ein ungeahntes Spektrum. Man darf gespannt sein, wie viele Clubanlagen unter der Herrschaft des RESTYLERS demnächst ihr Ende finden werden…

A very wicked virtual instrument based on the NI Kontakt Player, including multi-samples of 14 different units that were modified by the use of circuit bending. Instruments, drum machines and child´s educational toys with speech output like Roland TR-505, Korg DDD5, Casio SK-1, TexasInstruments Speakand Spell were circuit bent. The result ranges from very wild digital sounds with lots of artifacts over chaotic lo-fi sounds to brute digital distortion.

Sidsonic Libraries´ second product, the piercing and wicked sample library TUBES! is based just as it´s brother Circus Circuit on the NI Kontakt Player and offers you 134 multi samples of vacuum tube machines. To be precise Metasonix products have been sampled for this library; on the one hand the tube synthesizer s-1000 Wretchmachine and on the other the out-of-production distortions/destroyers KV-10 Assblaster and the great TM-7 Scrotum Smasher.

Those who can´t afford the Wretchmachine or have no chance ot get the other units but absolutely want to use their tube sound should definitely have a look on this sample library.

A rather radical and unapologetic effect module than a filter. The DIRT has a tendency to distort things and generates sounds you'd rather expect from ring modulators or wave shapers.