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The AL-22 is a MIDI-to-CopperLan interface, i.e. it allows you to use your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The AL-88 is a MIDI-to-CopperLan interface, i.e. it is used to integrate your MIDI devices in the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers. Up to 16 MIDI cables can be connected (8x MIDI-In and 8x MIDI-Out)

The AL-88c is a CopperLAN interface with eight MIDI In/Out pairs. You can use it as a 8x8 MIDI patchbay, either very flexible in combination with a computer or directly coupled to other CopperLAN devices (peer to peer).
The unit has the same functionality and features like it's big brother, the AL-88 but at a way lower price for the sake of some reductions.

The AleX from Alyseum is a MIDI-to-CopperLan interface for retrofitting your MIDI devices with a CopperLan connector. It is designed to integrate your MIDI gear into the CopperLan network. It uses the Ethernet network to transport MIDI flows between any CopperLan compliant hardware or software applications in computers.

The MS-812 by Alyseum is an Eurorack module which creates the gateway between your CopperLan network and your Eurorack modular system.

The high number of CV and digital outputs gives you a very powerful MIDI-to-CV/Gate interface which can also carry clock outputs or can work as a MIDI-to-Sync24 converter. The module can be controlled by several computers in your network simultaneously.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

A two-direction accelerometer sensor. Measures dynamic acceleration (or deceleration) and inclination simultaneously and in two dimensions . Different models exists and enables to detect from /-2 G acceleration ; /- 5 G acceleration or /- 18 G acceleration.

Item for use and in combination with EoBody2 interface.

A two-direction accelerometer sensor. Measures dynamic acceleration (or deceleration) and inclination simultaneously and in two dimensions . Different models exists and enables to detect from /-2 G acceleration ; /- 5 G acceleration or /- 18 G acceleration.

artikel for use and in combination with the WIRELESS EoBody interface.

The EoWave Domino is a compact monophonic analog synthesizer with discrete circuitry for an affordable price.

Highlights are the eight-step sequencer and the arpeggiator.

EoMono, the little brother of the EoBody2 is the first USB plugandplay sensor interface of this kind. It gives  you connection for one sensor. This way you can start with sensor applications easily and for a small price. Just control your software´s parameter assigned by yourself with a desired sensor.

Eowave Eomono is compatible with all MIDI softwares! No additional MIDI interface is needed.

The last unit for a super low special price!

The MAGMA, which was called Koma in its prototype stadium, is an analog bassline synthesizer with integrated sequencers, memory and a Roland type low pass filter.

A movement tilt switch. This movement sensor will not detect accelerations but x,y position.

artikel for use and in combination with EoBody2 interface.

This 10 cm position ribbon is like a linear potentiometer sensing position. It can be associated to any MIDI parameters. These 10 cm ribbon are also perfect to emulate faders. artikel for use and in combination with EoBody2 interface.

The EoWave Ribbon is not only a ribbon controller but also a standalone instrument. It contains a digital LoFi-synth with one VCO and frequency modulation.
Besides of that the unit can be used as a controller both for USB-MIDI and control voltages!

This sensor is a shock-sensitive pad, a piezo. Ideal for drums and percussive sensoring. Unit for use and in combination with EoBody2 interface.

50% discount on all remaining EoWave sensors, only as stock lasts (read: as long as delivery status is "immediately available")

A momentary touch switch (temporary, reacting to "on" as long as you press the button) compatible with eobody1 and eobody2 USB8 SensorBox.

artikel for use and in combination with EoBody2 interface.

A temperature sensor reacting on changes of cold and warm compatible with all eobody converters. artikel for use and in combination with EoBody2 interface.

Not in production anymore

The first Fonitronik module is the Attenuverting Mixer. It is primarily a four-into-one mixer module for control voltages (and audio signals of course) but besides of that it has some sub-functions like attenuator, controlable inverter and generator of offset voltages.

The Future Retro XS offers charming, yet hefty sound with remarkable expressiveness. It is perfect for creating meaty basses, soft to aggressive leads and powerful drums. Thanks to its thought-through routing system, that incorporates audio signals as well as control voltages, the monophonic desktop synthesizer is also capable of creating a wide range of experimental audio effects. MIDI connectors plus Audio and CV jacks allow easy integration in any studio or live setup.

Just like a sampler that records audio signals, a CV recorder will record control voltage courses from LFOs, envelope generators, joysticks etc. and can play them back when triggered, can loop them or play in different directions.

Modcan´s CV recorder can record CVs on two channels and in addition clocks and triggers on a thrid channel. The maximal resolution is 44.1kHz which makes it possible to record audio, even in stereo. The memory is non-volatile so your recordings remail memorized after powering down your modular system.

Dual digital delay module with individual controls per channel, tap tempo buttons, three selectable time ranges and two operaion modes (with or without pitch shift when altering the delay time).

48kHz sample rate, 16Bit at the inputs and outputs and 32bit operation provide for clear and low-noise sound.

Modcan's digital version of the classic Bode frequency shifter design offers two independent units in one module. As the frequency shift is a mathematical function, why not calculating it with a DSP, also for the sake of stable VCOs and clean multiplication? Calibration will never be an issue and you don't need to match the two units again!

Digital, dual channel phase shifter module with 6, 12 or 24 stages per channel. You can use the module as two independent phaser units or as a stereo phaser. It's possible to control both the phase shift and feedback with voltages.

The Dual Wave by Modcan is a digital, numerically controlled oscillator module with two parallel oscillators A and B that can be detuned. Each of the oscillators accesses a memory of 180 waves. The mix control not only blends the oscillators but creates a new wave. Wave sequencing by CVs is possible too.

The FMVDO is a digital oscillator module with manifold possibilities, very accurate tracking and a wide frequency range. In 12HP it combines features of different digital synthesis methods. The main feature is frequency modulation (FM) with two operators which are not limited to sine waves but offer wavetables for instance and allow for generating sounds with complex timbres. In addition there´s amplitude modulation as well.

Analog multi-mode filter, built discretely in best old.school manner. No ICs here but a nice rough sound and plenty of resonance.

Quad ADSR envelope generator with additional delay and hold parameters plus voltage control of either one or all segments of an envelope. The gate inputs are normalized, the envelope curves can be changed and all setting be saved.

The Triple Osc module combines three high-resolution digital oscillators running in parallel for creating wide multi-oscillator sounds. The sterility of digital oscillators due to the high stability, very accurate tracking and no drifting is criticised by some people. For that reason Modcan incorporated an intelligent circuitry which adds a little randomness and gives pleasant animation and life when you turn off the integrated quantizer.

Modcan´s first Eurorack module is the Touch Sequencer, a digital four-track sequencer with memory and CV/Gate outputs.

The four tracks can be up to 64 steps long ,can be chained and each of the track can have an independent clock. The module works either with internal or external clock but the tempo can be tapped with a dedicated button. Resistive Touch screen control of all sequence parameters

Sherman preist dieses außergewöhnliche Analogfilter primär bei DJs an, sicher werden hier auch zahlreiche Produzenten und Liveacts fündig: Die Eingangsstufe bringt das eingehende Signal gut auf Pegel und lässt auch heftigste Distortion zu! Der Effekt lässt sich mit dem Mix-Regler weich einblenden oder mit dem großzügigen Transform-Taster abrupt einschalten. Jedes Frequenzband (LP, BP, HP) lässt sich anteilig zum Originalsignal zumischen und mit positiver wie auch negativer Amplitudenmodulation einstellen. Zudem kann die Flankensteilheit jedes Bandes zwischen 12 und 24 dB umgeschaltet werden. Der Mastercutoff (blau) arbeitet mit den drei AM Reglern zusammen, wobei der Slavecutoff (grün) mit dem FM-Regler am besten funktioniert. Unterhalb jeden Bandes finden sich je 2 LEDs. Je nach angezeigter Farbe (blau oder grün) wirkt der Master- oder Slavecutoff am effektivsten! Die drei weißen Potis beeinflussen das Groove-Verhältnis des Filters. Auf diese Weise kann man mal eben den kompletten Groove in-sync mit dem Restyler zerfräsen und es macht grossen Spass. -Der Klang ist schön warm und fett und bietet in seinem Dynamikumfang ein ungeahntes Spektrum. Man darf gespannt sein, wie viele Clubanlagen unter der Herrschaft des RESTYLERS demnächst ihr Ende finden werden…

A very wicked virtual instrument based on the NI Kontakt Player, including multi-samples of 14 different units that were modified by the use of circuit bending. Instruments, drum machines and child´s educational toys with speech output like Roland TR-505, Korg DDD5, Casio SK-1, TexasInstruments Speakand Spell were circuit bent. The result ranges from very wild digital sounds with lots of artifacts over chaotic lo-fi sounds to brute digital distortion.