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Power adaptor plug for connecting a Curetronic module to a synthesizers.com power distribution harness.

One last in stock. Will not be re-ordered.

Power adaptor plug for connecting a Dotcom module to a Curetronic power distribution board. Additional +5V needed by some modules is not supported.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Set of two wooden side panels for mounting two 140mm deep Erica Eurorack cases in a L-shaped manner.

This desktop unit is a clone of the wild and nasty filter circuit from the vintage russian Polivoks synthesizer. It is built with genuine russian ICs and the sound circuit is 100% analog.
What makes the Acidbox really briliant is the mighty versatile LFO with synchronisation, tap tempo, plenty of wave forms, waveshaping and tempo multiplication/division. This totally invites you to jam with the unit instantly! Hot stuff!

A set of two 6U rack ears for the Eurorack cases of Erica Synths

Solid power supply for the Skiff by Erica Synths. It works with a proper toroidal transformer, bringing a little more weight on the scale but that shouldn't matter in the studio.

The biggest of the three external power supplies for Erica's Skiff provides 2.5A, which is enough current for two cases. It also has two power connectors - so if you plan to use two Skiffs sooner or later, go for this one to prevent having two supplies in the studio.

Spare wooden side panels for one Skiff by Erica Synths.

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

Having been split up in three components the sync shifter is serving many conversion problems offering you better timings and grooves just in time while using midi and sync24/Din sync based hardware.

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Optional blue blue backlit modwheel and pitchbender for the Minimoog Voyager

A black dust cover for your Minimoog Voyager, senseful accessory for non daily studio use or in your rehearsal room. 

Not in production anymore

Voyager Rackversion with 896 sounds now, the rackmount kit for moogsounds to play on as a compact use of a real synth.

2 wooden cheeks for the Moog Minimoog Voyager RME (rack mount edition).

They cover the 19" mounting holes and add a more classic look to your RME.

The Voyager with a backlit color of your choice combined with an individual kind of wood is probably the highlight for furniture fetish people in between the synthesizer nerds. This standard model of the luxury version is shipped in Eschenholz (?) combined with blue backlight, all other combinations are declared as an extra, please choose the extra costs and give us your choice, we will get it done somehow, thank you.

Choice of display backlight: Lunar (white); Solar (orange); Fire (red); Jade (green) and Electric Blue (blue)

choice of wood: Walnut, Mahagoni, Cherry, Maple, White, Black. Please give us your selection with your order per mail, thank you.

Analog bucket brigade device (BBD) delay for really low money! The delay has a delay time of max 650mA, controls for delay time, feedback, drive and mix and features a true bypass switch.

The Minifooger Drive pedal offers a Moog cascade lowpass filter besides an overdrive with FET amplifiers and OTAs. The filter interacts heavily with the bipolar tone control and the peak switch that provides a broad palette of sounds, ranging form filtering ober british Amp sounds to Fuzz. Very sensitive to input volume and dynamics. An expression pedal can control filter frequency, e.g for Wah effects.

Actually it's not necessary to spend words about the grandfather of all compact synthesizers. Released in 1971 he quickly became the blueprint for THE synthesizer - and it still is. Even 45 years later its stringent concept, intuive operation and of course its timeless and inimitably powerful sound are the benchmark forevery modern synthesizer.
Now it is re-relased by Moog, made entirely by hand, exclusively using highest-specification components (partly with military specifications). Sound generation, look and feel correspond exactly with these of the 1970ies original, although there are a few yet very useful extras.

The MF-107 FreqBox(tm) is different from other effects ? the effected sound is not a processed version of your input signal, but the sound of the input signal modulating an internal oscillator. It contains a VCO with continuously variable waveshape, and the capacity to modulate that Oscillator in the following ways: - the VCO can be hard synced by the input signal - The VCO can be frequency modulated (FM) by the input signal - The VCO frequency can be modulated by an envelope follower which tracks the dynamics of the input signal - The Amplitude of the VCO also tracks the dynamics of the input signal The FreqBox, like all moogerfoogers, works with any instrument to line-level input. In addition to the panel controls there are control inputs for use with expression pedals or control voltages and control outputs for interconnecting moogerfoogers like you would a modular synth.

Compact analog synthesizer with a 37-key keyboard with velocity and aftertouch. New for a modern monophonic analog synth is the duo-paraphonic mode: you can ply both oscillators individually with different notes. Pseudo-dophonic play ist possible that way.
Furthermore the Sub37 features USB/MIDI connectivity, CV/gate inputs, two DADHSR envelopes, an external audio input, an easy-to-use modulation matrix and 256 presets.

The high-quality theremin gives five octaves pitch and adjustable pitch range for good and customisable playability. The black painted hardwood body has a thread underneath which allows mounting on a conventional microphone stand (thread size adaptor may be necessary). Beyond this the unit has removable chrome plated antennae, analog controls for adjusting pitch, output volume, waveform and timbre plus a 6.3mm (1/4") audio output jack.

The MF-103 Phaser works with two so-called comb resonance filters. Depending on the amount of the internal phase shifter circuits it is called 6-stage or 12-stage.

The 6-stage mode has 3 notches in the frequency spectrum while the 12-stage version has six of them. Both modes have distinct differences in sound. Additionally the MF-103 has a controllable feedback loop that increases the resonance or "depth" of the phaser sound. If this comb- or notch filter is being shifted thru the audio spectrum the typical "sweep sound" of the phaser is created.

In- and outputs for CVs and pedals allow external control of the parameters.

The Moogerfooger 104, the sought-after Analog Delay is back!

Moog Music has found a bathc of the BBD chips responsible for the delay and re-releases the analog Delay in a revised version. Unfortunately the run is limited as are the chips but the unit has new features like tap-tempo, a LFO and the parameters can be controlled by MIDI.

As supply of the chips still is ver hard according to Moog and the chips aren´t in production anymore, quantities of the Mf-104M are limited. Better be quick if you want one!