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This module contains four independent, voltage controlled processors for waveforms und CVs with eight functions in total like VCA, attenuator, offset, clipping and a non-adjustable rectifier with two outputs.

Not in production anymore.

Logic module with two stages, a six-part user-configurable (via front panel buttons), cascaded Logic tree giving up to 4 x NAND, 2x NOR & 1x XOR - and the inverted versions of each of those (AND/OR/XNOR). That's up to a 4x Input, 12x Output Gate, Logic and rhytmic pattern generating analog mega-machine!

Abstract Data´s first Eurorack module is the ADE-10 Reactive Shaper, a multifunctional module for processing audio and control signals by the help of three different circuits: wave shaping, wave folding and feedback.

Multimode filter with a 12dB/octave slope and a discrete layout for a very nice vintage sound. An allpass output and a feedback are special features giving the filter it´s own flavor.

Set with five quality patchcords by Cliff, 15cm long. Each one cable in green, yellow, blue, red and white.

RS-190 is out of production

The RS-190 combines a real analog VU meter with an inverter

Faithful reproduction of the legendary and rare analog frequency shifter from the Moog modular system, designed by Harald Bode. The RS-240impresses with features like exponential and linear shifting scales, integrated squelch circuitry, very clear sound and several audio outputs ... yeah, and by that HUGE knob ;)

Sync Gen 2 LS is a module for sample-accurate rhythmical pulse synchronisation between your DAW and your Eurorack modular system. Or in simple words: for creating a perfect clock from your computer!
The clock is available at several minijack sockets and in addition there is a MIDI clock output and a DIN-Sync output!

Having been split up in three components the sync shifter is serving many conversion problems offering you better timings and grooves just in time while using midi and sync24/Din sync based hardware.

The bigger version of Innerclock's Sync-Gen again generates a very stable MIDI clock via your computer's audio interface but it has been expanded by a number of MIDI Clock outputs and even DIN Sync outputs.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Einfach und genial aber vor allem: es funktioniert! Wer als Keyboarder, Percussionist oder DJ  seine laufenden Sequenzer zu human variierendem Tempo oder auch einfach zum DJ-Beat synchronisieren will oder muss, ist mit dem 34oneII-Pedal gut beraten.

Nach einer kurzen Eingewöhnungszeit trifft man die eins und kann auch Temposchwankungen gekonnt abfangen oder aufholen, es werden immer die letzten fünf Taps zur Berechnung des laufenden Tempos benutzt. Wenn man länger als 1 Sekunde auf dem Taster steht, sendet das Pedal auf allen Kanälen einen Stop-Befehl und verbraucht ab sofort nichts mehr von dem Strom der Batterie. Die Lebensdauer des 9V Blocks liegt oberhalb von 50 Stunden.

With the Perc Pro, you can add an acoustic drummer to your setup. In contrast to the counterpart made of flesh and blood, this drum system always plays tight and never gets tired. In addition, Perc Pro doesn’t mind to play everyday items instead of kick, snare, cymbal and so forth. – Bottles, cans or sheets of metal. Lots of stuff works great as a percussion instrument. Simply connect your MIDI or CV / gate equipment and start experimenting. – A great novelty with enormous creative potential!

Sherman preist dieses außergewöhnliche Analogfilter primär bei DJs an, sicher werden hier auch zahlreiche Produzenten und Liveacts fündig: Die Eingangsstufe bringt das eingehende Signal gut auf Pegel und lässt auch heftigste Distortion zu! Der Effekt lässt sich mit dem Mix-Regler weich einblenden oder mit dem großzügigen Transform-Taster abrupt einschalten. Jedes Frequenzband (LP, BP, HP) lässt sich anteilig zum Originalsignal zumischen und mit positiver wie auch negativer Amplitudenmodulation einstellen. Zudem kann die Flankensteilheit jedes Bandes zwischen 12 und 24 dB umgeschaltet werden. Der Mastercutoff (blau) arbeitet mit den drei AM Reglern zusammen, wobei der Slavecutoff (grün) mit dem FM-Regler am besten funktioniert. Unterhalb jeden Bandes finden sich je 2 LEDs. Je nach angezeigter Farbe (blau oder grün) wirkt der Master- oder Slavecutoff am effektivsten! Die drei weißen Potis beeinflussen das Groove-Verhältnis des Filters. Auf diese Weise kann man mal eben den kompletten Groove in-sync mit dem Restyler zerfräsen und es macht grossen Spass. -Der Klang ist schön warm und fett und bietet in seinem Dynamikumfang ein ungeahntes Spektrum. Man darf gespannt sein, wie viele Clubanlagen unter der Herrschaft des RESTYLERS demnächst ihr Ende finden werden…