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Der cvWS is a dualer wave shaper like the one found in the core of the uLFO. The upper unit creates a sawtooth out of sruare and triangle wave, the lower unit makes sine waves. Sounds boring? Then try to FM-modulate it for interesting effects!

This LFO packed with features bases on a "triangle core" VCO and thus is on a par with any full-fledged analog VCO because the 1V/oct input allows for using it as a normal VCO. The tracking ranges a few octaves which is far from bad. There are six different waveform outputs: ramp, pulse, sine, triangle, saw, square and sine shape. All this makes the uLFO one of the most versatile LFOs no the market.

Self-oscillating 2pole state variable filter, 12dB highpass, lowpass and notch, 6dB bandpass, extra control for notch balance

Bubblesound´s VCOb is a really good, rich sounding, stable yet compact fully analog VCO. It´s circuitry is based on the uLFO but with some improvements. It tracks well 4-6 octaves (depending on how picky you are) which is good.

Not in our portfolio anymore

The name already indicates it: the Analog Four by Elekron continas four independent monophonic synthesizers in one unit. Besides the entirely analog voice circuitry with two oscillators and two filters per synth and plenty of modulation possibilities the Analog Four has FX and also a step sequencer that can output CV/gate signals as well.

Great book about the secrets of modular synthesizers. It gives an overwiev anbout module types and how to use them, also including exotic stuff like wave multipliers and vocoders. Great tutorials e.g. on how to create electronic drum sounds with your modular. Suitable both for beginners and advanced users. Comes with an audio CD full of examples.
Unfortunately the book is available in German language only.

The Missing Link by Jabrudian Industries is a handy small device which converts OSC data into MIDI. In practical use this means that you can control your synthesizers wireless via an iPad or similar touch devices with Apps like TouchOSC.

Very small yet powerful digital sequencer with variable sequence lenght, in-built clock divider, quantizer, arpeggiation, random, a drift function as well as a sample & hold function. Programming is handled by two encoders for step and value, each with it's own display. Furthermore there are three modes: Playback, Sequence editing and the settings menu. The created sequences are saved automatically.

The MIDI Delay is a high accuracy programmable MIDI delay.

With a double footswitch or switch triggers you can generate Midi signals of any kind.  The converter has to be taken between a midi sender and a midi receiver, it will be powered up from the incoming midi sender. The generated Midi informations depending on the switch or trigger action will be merged to the forwarded midi flow. Potentially nessessary programming can be made over the midi in connection.

Universal Werkzeug für Midi-Geräte, übersetzt, filtert, triggert, schaltet, usw. 10 settings sind speicherbar.

Im 19" Format kann dieses Gerät bis zu acht Fußschalterkontaktsignale zu Midisignalen umwandeln.

This tiny Controller can be used to generate MIDI messages and MIDI functions with a simple footswitch.

Phase-out model. Sales only as long as stock lasts

This 19" unit merges all messages appearing at each of its 8 MIDI inputs to its MIDI output. No programming nessesary.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

Phase-out model. Sales only as long as stock lasts

The Power Adapter provides power to MIDI machines in instances where it is not available, and can also be used to send MIDI over long distances.

Special product. Will be ordered only on request. Delivery time 3-4 weeks.

The Programmable Input Selector allows MIDI messages to be routed from either of its two MIDI inputs (InA or InB) to its MIDI output.

The Quadra Merge merges all messages appearing at each of its 4 MIDI inputs to its MIDI output.

If more Midi outputs are needed, this useful tool provides 4 MIDI outputs from a single MIDI input. The power is taken over the Midi-In.

The Relay Switch contains a MIDI-controlled contact closure that can be programmed to respond to a wide range of MIDI messages.

The Router allows you to of course to route but in the same time also to filter, and rechannelize selected MIDI messages to either/both/neither of its two MIDI outputs. 10 settings are easy to programm and save.

If more Midi outputs are needed, this useful 19" tool provides 8 MIDI outputs from a single MIDI input.

If more Midi outputs are needed, this useful tool provides 2 MIDI outputs from a single MIDI input.

Phase-out model. Sales only as long as stock lasts

This little helper can be used to modify the velocity response of any MIDI instrument by using one of 40 preset curves.

The Breathcontroller by Midisolutions converts incoming controller data from Yamaha BC3 controller into MIDI messages. This makes sense especially to simulate brass instruments or flutes over any kind of sample player or whatever.

Attention: Yamaha doesn´t manufacture the breath controllers anymore!

phase out model. Sales only as long as stock lasts.

The Eventprocessor is a programmable tool to fix any kind of problem you could have in MIDI communication just with this piece of hardware. The simple eventprocessor yet can filter, vary, extract, compress or modify somehow up to 10 different incoming Midi-informations at the same time. The Eventprocessor plus can handle up to 32 !!

To control any midicontroller over a simple Volumepedal this unit is the right converter. The incoming "value" from the pedal will be merged to the incoming midi-flow to be forwarded together over the midi-out. The editing has to happen of hexadezimal or over a free pc-editor from the manufacturers site. the unit does not forget what to do if its once programmed.

Contrary to it's name the ROOM is no reverb effect but an enitrely analog audio processor to shape and dynamically modulate the sound and spatial field of a connected stereo reverb by the dynamics of the mono audio source. For modulation duties the ROOM has an envelope follower and an envelope generator that can react to the audio material or to external CV and gate signals.

The TRACK THICKENER is an all analog stereo processor used to drive a stereo or mono source though one of five analog circuits. These SAT circuits transform the density of the sound for the purpose of creative manipulation of its texture and intensity. The SAT section includes wet/dry mix with the ability to saturate all or only the upper or lower frequencies while retaining an unaffected low or high end by utilizing the built in crossover. With flexible crossover routing a frequency dependant saturation is achieved giving the user control over the density, volume, and frequency of the saturated element of the sound. This routing allows a wide range of saturation to be achieved, with the ability to bypass entirely. The SAT section is followed by a VCA used to shape the amplitude envelope of the sound. The VCA features an H-AR envelope with control over depth, trigger hold, attack, and release. Alternative gating is possible with the use of the external trigger input. The VCA can be used to affect the SAT or SATandDRY signals for different mixing options. A passive equalizer follows that allows tone shaping with the smooth characteristics of a passive circuit. The EQ gives the user quick tone shaping over broad bands for effective shaping of the final sound.

With these wooden side panels, users can enhance the look of their Cirklon sequencer. – A feast for the eyes!

With these wooden side panels, users can enhance the look of their Cirklon sequencer. – A feast for the eyes!

With these wooden side panels, users can enhance the look of their Cirklon sequencer. – A feast for the eyes!

With these wooden side panels, users can enhance the look of their Cirklon sequencer. – A feast for the eyes!

With these wooden side panels, users can enhance the look of their Cirklon sequencer. – A feast for the eyes!

Sherman preist dieses außergewöhnliche Analogfilter primär bei DJs an, sicher werden hier auch zahlreiche Produzenten und Liveacts fündig: Die Eingangsstufe bringt das eingehende Signal gut auf Pegel und lässt auch heftigste Distortion zu! Der Effekt lässt sich mit dem Mix-Regler weich einblenden oder mit dem großzügigen Transform-Taster abrupt einschalten. Jedes Frequenzband (LP, BP, HP) lässt sich anteilig zum Originalsignal zumischen und mit positiver wie auch negativer Amplitudenmodulation einstellen. Zudem kann die Flankensteilheit jedes Bandes zwischen 12 und 24 dB umgeschaltet werden. Der Mastercutoff (blau) arbeitet mit den drei AM Reglern zusammen, wobei der Slavecutoff (grün) mit dem FM-Regler am besten funktioniert. Unterhalb jeden Bandes finden sich je 2 LEDs. Je nach angezeigter Farbe (blau oder grün) wirkt der Master- oder Slavecutoff am effektivsten! Die drei weißen Potis beeinflussen das Groove-Verhältnis des Filters. Auf diese Weise kann man mal eben den kompletten Groove in-sync mit dem Restyler zerfräsen und es macht grossen Spass. -Der Klang ist schön warm und fett und bietet in seinem Dynamikumfang ein ungeahntes Spektrum. Man darf gespannt sein, wie viele Clubanlagen unter der Herrschaft des RESTYLERS demnächst ihr Ende finden werden…

Phase-out module. Maximum one last in stock. Sales only as long as stock lasts.

The CV professor attenuates, crossfades and sums signals. And on two independent channels he can amplify signals up to the factor 2.