Manufacturer » Snazzy FX

In the times of perfect digital recording some people miss inaccuracies like those of old worn-out tape machines or tape echos. The WOW and FLUTTER module simulates just those inaccuracies, the wow and flutter and the sound of an old tape. Also you can set if the flutter of the tape fades in slowly and fades out fast or vice versa or...
Even in the DRY mode the Wow & Flutter colors the sound pretty much and it sounds .. just like a nagged old reel-to-reel tape deck.

Kick_Me is able to generate a wide array of classic to modern bass drum sounds. Its basic character is deliberately different from classic TR-X0X instruments. The module’s repertoire ranges from tight to brachial, roaring bass drums. Thanks to separate decay parameters and outputs for the actual kick and the sub-bass content, the assertiveness of sounds can be controlled very nicely. Additionally, the dual concept makes it very easy to process results of the Kick_Me via filters, distortion and modulation effects. Other control elements allow users to alter the attack, pitch and resonance of sounds. Furthermore, there is a clipping stage for more aggressive kicks.

The Hi_Gain features three differently designed, transistor-based VCAs plus a sum output. Together, the circuits form a complex feedback and mixing system with dirty, angry sound. - A great tool for giving drums, basses or leads a more brutal touch. Alternatively to modular equipment, other devices such as a piezo mic or a tablet can be connected. Thanks to internal connections between inputs and outputs, musicians need only very few cables for complex signal processing. Of course, the VCAs can be used individually as well. A single circuit is already capable of adding lots of grit and aggressiveness to a signal. - If you are looking for a clinically clean VCA, you should stay away from this module.

Eternal Spring is a low-pass filter with personality. Depending on its drive and resonance settings, the circuit can add a little bit of saturation, a good amount of dirt or heavy distortion to incoming audio material. Occasionally, users will feel reminiscent of a wavefolder. The cutoff potentiometer means business. The resonance ranges up to beefy self-oscillation. However, thanks to the gain stages acting like a natural limiter, the circuit won’t squeal all too loud. – Therefore, musicians can boldly reach for all controls. A FM input allows wild modulations in the audio range. Temperature compensation was deliberately omitted in order to give the Eternal Spring a more lively character.

The Dual Multiplier combines two four-quadrant multipliers in one module. With simple waveforms, the circuits provide results similar to a classic ring modulator. If musicians utilize a VCO and a noise generator as signal sources, the results are pitched-noise effects. Combinations of complex audio material and an LFO lead to spectral shifts. Employing the module as a dual four-quadrant VCA or part of analog computing patches is possible as well. Thanks to connections between both multipliers, musicians can create a wide range of tones with minimal cabling effort.

If ET is able to phone home with this device, we just don't know. But without a doubt the Telephone Game can generate a plethora of weird random.
It's five sample & holds connected in series, just like a shift register and partially it can be fed with itself via two feedback loops. Add a loop mode, a table spoon of noise, a pinch of slew and a clock divider, that's the recipe for "rhythm-ized" chaos.

Drones, beating oscillators and pulsating sounds, that's what the Dronebank has been designed for. It's not a CV laden über-oscillator, it just has five analog oscillators with individual frequency controls, period!