modular systems » Eurorack modules

Vintage Edition with a black faceplate and custom knobs.

The standard VCO provides two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation and hard sync. After the pre-heating time the VCO is stable in a range of 3.5 octaves. A basic VCO "workhorse" without many gadgets.

The A-168-1 makes it possible to derive a square wave with adjustable pulse width from a LFO- or VCO-waveforms with a rising/falling slope like sine, triangle or sawtooth, for instance to expand VCOs without PWM by this function.
As the module's core basically is a comparator you can use it to turn almost any positive signal (e.g. envelopes) into gate signals or "digital" signals. It's interesting for useres who require something smaller and simpler than an A-167 comparator.

Audio Damage brings you the Neuron a versatile digital drum voice, sounding good and being utterly flexible. The by-name "FM Drum Voice" is a slight understatement because besides FM sounds the module can do pretty much everything from the electro drum kit: filtered noise makes snare drums possible, a wide frequency range allows for kicks, toms and more, FM provides you with anythind metallic, cymbals and effect sounds. A 2-in-1 distortion and a pitch envelope is abord, too.

This MIDI interface definitely stands out because monophonic conversion of MIDI notes (from MIDI In or USB) into CV and gate as well as MIDI Clock to analog clock is one function only. As the USB port in this module can send data too, you might as well convert MIDI data from the DIN socket to USB MIDI (or the other way round) and convert analog clock into MIDI Clock.
Let's read the sentence one again: use your modular system for generating a MIDI master Clock and synchronise for instance your computer to your modular!!!

Being an unusual and feature packed digital oscillator this module is able to create a vast number of sounds and timbres, from soft and subtle to outrageous and intense. This wide spectrum is made possible by dynamic waveform crossfading, FM, AM, dual VCO sync, wide detune, filter-like harmonic modulation and effects as well as a drum mode. Of course it gives you voltage control in abundance.

Using faders and onle one double seizure this four channel gate sequencer is easy to use. It gives you up to eight steps per channel and for each step three parameters can be adjusted: probability, ratcheting repeat and delay, the latter two even with randomizing functions per step.
A clock generator and clock divider are integrated and this compact module also features memory.

An unusual, because non-linear sequencer concept. The eight steps can be addressed in a number of ways: by several trigger signals which go one or more steps forward or backward, by using control voltages or even with three binary gates. A control voltage input is included as well, either transponsing the pitch quantized / non-quantized or or even to change the quantiser's scale from major to minor.

This fully analog compressor module gives the user controls for all relevant compression parameters and also voltage control of six parameters. Three selectable and parallely usable types of sound coloration and distortion are available as well and additionally the module features saturation due to a genuine transformer pre-output. The sidechain input is equipped with an adjustable filter for eliminating pesky frequency portions.

Intellijels Rainmaker is specialized in creating rhythmical stereo echos and comb filter / resonator effects. Its features exceed the functional range known from ordinary delay modules by far. For instance, the echo section offers up to 16 taps, each comes equipped with a multimode filter and a granular pitch shifter. The feedback channel is equipped with tone controls and another pitch shifter. Groove templates help the musician to construct rhythmical effects. Furthermore, it is possible to use the unit for modal synthesis and Karplus Strong sounds. Given all those features, programming the Rainmaker is surprisingly easy, thanks to its clearly arranged menus and an OLED display.

This great controller module contains a capatitive touch keyboard with one octave span, two trigger plates and four preset touchplates for programming fixed voltages.
So far the features resemble those of other touch keybaords, wasn't it for duophony, a powerful arpeggiator, a 64-note sequencer plus a clock generator with Tap Tempo. The trigger touchplates can be used e.g. as pitch benders or for generating gate bursts and the preset touchplates also act asa small sequencer!

Feature-loaded, smaller and way cheaper than other touch keyboards. What are you waiting for?!

Unlike 007 in Spectre it won't shoot people when you but it will freeze a frequenc spectrum when you use the trigger. Spectre by Audio Damage is a Fast Fourier Transformation (FFT) based effect module which captures the audio signal and is able to freeze its frequency spectrum. The frozen signal can be pitch shifted, spread in the stereo panorama and mixed with the original to create tuned drones, glitchy spheres, vocal sounds, trippy drums and much more.

The Quantum Rainbow module generates seven different colors of analog noise at once, each available simultaneously at an individual output.

Bastl call it to the point a "trigger toolie", to be exact this module is a multi-channel processor for clocks, triggers and gates. It has two sections which can be coupled or used individually. In total there are five outputs processing input signals in a different way: by clock delay, clock division or clock multiplication, trigger repetition but also in form of a euclidian sequencer, a probability based groove generator and finally a clock oscillator.

Unlike other compressor modules on the market this one is #1 stereo and #2 DSP-based. It can be used as a mono compressor, as stereo compressor or in a side chain mode. This module's code is known from some Audio Damage plug-ins like the Rough Rider, Kombinat Diva and more and is now available as hardware.

Vintage Edition with a black faceplate and custom knobs.

Analog noise and random. White noise output and one out for colored noise with level controls for red and blue spectral amount. The same controls affect the amplitude of the random signal. Additionally there are controls for the speed and the overall amplitude of the random voltage.

The voltage controllable Eurorack module version of the T-Resonator is an interesant concept of two low pass flters and an effect. As the two filters feature cross-modulation, positive and negative feedbacks and their cutoff frequencies can be modulated by an LFO and an envelope follower, many dynamic and very interesting, partly very experimental sounds are possible which are further processed by the digital effects like delay, physical modeling, FM and more.

Our expert Thomas described this module pretty well as "a sequencer for sequencing sequences".
It is a five-step analog sequencers for generating CVs and gates, featuring step addressing via pulses, keypress and a CV. The sequence can be transposed for arpeggio-like effects.
Beyond this the module includes two 5-to-1 sequential switch units which, in the same clock like the sequencer moves, switch one of five signals to one output.

A tasty potpourri if various random functions, seasoned with some pinches of random and garnished with a rarely seen analog shift register.
Besides random the module can also generate audio signals, because the two fluctuating random voltages also can be used as voltage controlled piched noise sound sources and three different flavours of analog noise are a good base for drum sounds. Single stages of the analog shift register can be broken out and used as sample & hold units.

To recreate more or less every function of the Random Sampling using modules of an affordable manufacturer you would require more than the double space and it wouldn't be significantly cheaper.

A good old passive 2x4 multiples in only 3HP - the perfect choice for the customer who wants to implement a genuine Verbos splitter his all-Verbos system, alone for the sake of completeness.

Advanced band pass filter whose passband width is variable. There are separate resonance controls for the low and high pass which form the Aperture's bandpass and in addition there are two different feedback types with aggressive character. The resonance has a very distinct, nasal sound and allows for self-oscillation ofboth filters over at minimum five octaves. The module is almost entirely voltage controllable, even parameters which aren't covered by potentiometers.
On the whole it's a very versatile filter module with a vast range of tonal possibilities.

Once again Mutable Instruments unites three functions blocks, each with various functions, in a small, only four HP wide module: A signal processor with inversion and two types of rectifiers, a logic section which can be used as a minimum/maximum generator and finally a sample&hold with accessible white noise generator.

Very unique module which is specialized in generating a number of control voltages, gates and triggers simultaneously in dependance of a input wignal which primarely is a piezo sensor. The module aims to percussionists which, for instance, would like to generate dynamic control voltages with a drumstick in order to play the modular.

Dub Junior's Mk2 version also is based in the delay algorithms used in the Audio Damage Plug In Dubstation and the old DubJr module but it has been clearly enhanced and improved regarding as well the features as the mechanical quality. It is a delay module with clock synchronization and tap-tempo, 24Bit/48kHz quality, two modes, two timpbres and external feedback loop. A worthy successor to the best-selling, venerable DubJr.

Complex and really powerful trigger sequencer with eight rows á 16 steps, polyhythmic functions, really flexiblly assigneable CV inputs and more. It's delivered as three, freely placeable, modules: the master unit, trigger output module and a controller input module.